Author Archives: Dominic

The Wiz

The Wiz is a musical adaptation of the classic Wizard of Oz story, based on the book by L. Frank Baum. Featuring music and lyrics by Charlie Smalls and a book by William F Brown, the show uses the context of African-American culture to shed a different light on the classic story. The original production featured an all-black cast and was one of the first mainstream Broadway musicals to do so. The show became popular on Broadway, and a film version was later created staring Diana Ross and Michael Jackson. Although this was a commercial and critical failure, it became a cult classic and allowed the musical to live on through to the next generation. The show has been revived numerous times although a full scale London production is yet to be produced.

The Wiz

Charlie Smalls

Charlie Smalls

William F. Brown

The Wonderful Wizard Of Oz by L. Frank Baum

Ken Harper

Geoffrey Holder

George Faison

Productions
The Wiz Original Broadway

Original Broadway Production

Majestic Theatre, The Broadway Theatre - Opened 5 Jan 1975, closed 28 Jan 1979, 1672 performances

Cast: Tiger Haynes, Ted Ross, Hinton Battle, Stephanie Mills, Clarice Taylor, Mabel King, Andre De Shields, Tasha Thomas & DeeDee Bridgewater

The Wiz Broadway Revival

Broadway Revival

Lunt-Fontanne Theatre - Opened 24 May 1984, closed 3 Jun 1984



What was your favourite production? Add your thoughts in the comments box

Synopsis

Dorothy lives on a farm in Kansas with her Uncle Henry, Aunt Em, and dog, Toto, but she wants to see more of the world, despite her family’s protestations that she has everything she needs at home. An unexpected “Tornado” lifts the house with Dorothy and Toto inside it. The house lands in Oz, where Dorothy meets Addaperle, the Good Witch of the North. Dorothy’s house has landed on the Wicked Witch of the East, killing her and freeing the Munchkins who she had enslaved.

Dorothy wants to return home, and Addaperle advises that she visit the Wizard of Oz, as he will be the only person who could help (“He’s the Wizard”). She gives Dorothy the Wicked Witch’s silver shoes to protect her from danger, and advises her to follow the yellow brick road to the Emerald City where the Wizard lives. On the way she meets a scarecrow in search of a brain, a tin man who wants a heart, and a cowardly lion who lacks courage. Together, they “Ease on Down the Road” to ask the Wizard for help.

They finally see the Emerald City in the distance, but a field of poppies put Dorothy and the Lion to sleep. Not being mortals, the Tin Man and the Scarecrow are unaffected and together with some Field Mice they move Dorothy and the Lion to safety. They arrive at the Emerald City and are forced to wear green-tinted glasses. The inhabitants are snooty and look down at the group until they spot Dorothy’s shoes and send them straight to the Wizard.

The Wizard appears in a variety of forms, each one more terrifying than the last (“So You Wanted to See the Wizard”). Dorothy and her friends ask him to grant their wishes, and he agrees only if they kill the Wicked Witch of the West, Evillene. The group feel the task is impossible, but nevertheless they set off in search of her. Evillene has enslaved the Wikies, and when she sees Dorothy and her companions are coming, she sends her winged “Funky Monkeys” to kill them. They pull the stuffing out of the Scarecrow and bash the Tin Man on rocks, but because of Dorothy’s shoes they do not dare to hurt her and bring her and the Lion to the Witch.

Evillene forces Dorothy to clean the castle, and begins torturing the Lion. Finally, Dorothy is fed up and throws a bucket of water at Evillene. To her surprise, the witch melts into nothing. The Winkies are ecstatic at being freed and repair the Tin Man and Scarecrow (“Everybody Rejoice”).

The group heads back to the Wizard, who says he won’t grant their wishes after all. The Lion is furious and tries to attack him. He accidentally knocks over a screen which reveals the Wizard is just an ordinary man. Everyone is furious, but the Wizard assures them that they have already shown the values they sought to possess in their adventure (“Believe in Yourself”). He agrees to fly Dorothy back home in his hot air balloon, but at the last moment the balloon gets loose, leaving Dorothy and Toto behind.

Addaperle reappears to advise Dorothy to seek Glinda, the Good Witch of the South, who may be able to help her. Glinda is a powerful sorceress, but tells Dorothy she has always had the power to go home if she believed it (“If You Believe”). After saying goodbye to her new friends, she clicks her heels three times and returns “Home.”

Songs

Act I 

  • Prologue
  • Feeling We Once Had, The
  • Tornado
  • He’s The Wizard
  • Soon As I Get Home
  • I Was Born On The Day Before Yesterday
  • Ease On Down The Road
  • Slide Some Oil To Me
  • I’m A Mean Ole Lion
  • Be A Lion
  • So You Wanted To See The Wizard
  • What Would I Do If I Could Feel
Act II 
  • Don’t Nobody Bring Me No Bad News
  • Everybody Rejoice
  • Y’All Got It!
  • If You Believe
  • Home (Finale)

Song list for the Movie Version

  • Universal Logo
  • Wiz
  • Home
  • Believe In Yourself
  • He’s The Wizard
  • Is This What Feeling Gets? – (Dorothy’s theme)
  • Home
  • Aunt Em
  • Feeling That We Have, The
  • Can I Go On?
  • Glinda’s Theme
  • He’s The Wizard
  • March Of The Munchkins
  • Soon As I Get Home
  • Home
  • You Can’t Win
  • Ease On Down The Road – (#1)
  • What Would I Do If I Could Feel?
  • Slide Some Oil To Me
  • Now Watch Me Dance
  • Ease On Down The Road – (#2)
  • Mean Ole Lion, (I’m A)
  • Ease On Down The Road
  • Poppy Girls
  • Home Medley:
  • Be A Lion
  • End Of The Yellow Brick Road
  • Green
  • Red
  • Gold
  • So You Wanted To See The Wizard
  • Sorry Phoney, A
  • Is This What Feeling Gets? (Dorothy’s Theme)
  • Don’t Nobody Bring Me No Bad News
  • Liberation Agitato
  • Brand New Day, A
  • Liberation Ballet
  • Dorothy’s Intro
  • Good Witch Glinda, The
  • Believe In Yourself (Reprise)
Awards

1975 Tony Awards: Best Musical, Best Original Score, Best Featured Actress, Best Featured Actor, Best Direction, Best Choreography, Best Costume Design.

Licensing

UK: Samuel French

USA: Samuel French

 

 

Mack and Mabel

Mack and Mabel features a book by Michael Stewart with music and lyrics by Jerry Herman, and features the Broadway standards ‘I Won’t Send Roses’ and ‘Tap Your Troubles Away’. The show follows the relationship between film director Mack Sennett and Mabel Normand in the roaring twenties and the early days of the Hollywood film studios. The show has had many successful outings on Broadway, including benefit concerts starring actors such as Robert Preston, Bernadette Peters and Francis Roufelle. A recent London revival at the Southwalk Playhouse received rave reviews for its simplicity and casting.

Mack and Mabel Original Playbill

Jerry Herman

Jerry Herman

Michael Stewart

a true story

David Merrick

Gower Champion

Gower Champion

Productions
Mack and Mabel Original Broadway

Original Broadway Production

Majestic Theatre - Opened 6 Oct 1974, closed 1 Jan 1970, 66 performances

Cast: Robert Preston and Bernadette Peters

Mack and Mabel London Concert

London Concert

Theatre Royal Drury Lane - Opened 21 Feb 1988, closed 1 Jan 1970

Mack and Mabel Original London

Original London Production

Piccadilly Theatre - Opened 7 Nov 1995, closed 29 Jun 1996

Mack and Mabel London Revival

London Revival

Southwark Playhouse - Opened 5 Jul 2012, closed 25 Aug 2012



What was your favourite production? Add your thoughts in the comments box

Synopsis

In 1938, Mack Sennett revisits his old film studio where he made a number of successful silent movies. Seeing a new talking picture being filmed, Mack reminisces about his career and the golden era of silent films, when “Movies Were Movies.”

The musical flashes back to 1910, when Mack first meets Mabel, a waitress at a delicatessen. The actress Mack is with, Lottie, is unable to pay for her sandwich, and Mabel tells her off. Impressed by her histrionic reaction, Mack thinks she has what it takes to become an actress and offers her a role. She turns him down at first, but then becomes starry-eyed by her potential good fortune (“Look What Happened to Mabel”).

Mabel manages to become a major film star, and she and Mack manage to move to a larger studio. Lottie and the rest of the crew are thrilled that they’ve made it to the “Big Time.” Mabel develops feelings for Mack, but he is too busy to think about romance (“I Won’t Send Roses”). Still, they sleep together, but when Mack leaves in a hurry, Mabel realises he won’t be with her for the long haul.

Mabel wants to star in a dramatic role, but Mack only wants to make comedies (“I Wanna Make the World Laugh”). Mabel meets a different director, William Desmond Taylor who falls for her and agrees to direct her in a serious movie. Mack tries to convince her that the project is a bad idea, but after they argue Mabel decides she does not want to be with him anymore and, in fact, wants to be “Wherever He Ain’t.” Mack convinces himself that Mabel is replaceable, and that there are “Hundreds of Girls” he can make just as successful.

Mabel decides to return to Mack’s company and everyone lights up “When Mabel Comes in the Room.” Mack agrees to direct her in a drama after all, but he cannot help himself and tries to add his own comic flair. Mabel is livid and decides to go back to Taylor, who encourages her to take heroin to forget all about Mack. She decides to try it, and though she is heartbroken over Mack she decides “Time Heals Everything.”

Mack’s career takes off, but Mabel’s life spirals out of control and she becomes a drug addict. When Taylor is murdered, she becomes the number one suspect. Mack finally decides that he wants to reunite with Mabel, but unfortunately she has died in the meantime. Mack tries to imagine how their lives could have been different (“I Promise You a Happy Ending”)

Songs

ACT I

  • Overture
  • Movies Were Movies
  • Look What Happened to Mabel
  • Big Time
  • I Won’t Send Roses
  • I Won’t Send Roses (Reprise)
  • I Wanna Make The World Laugh
  • Mack & Mabel
  • I Wanna Make The World Laugh (Reprise)
  • Wherever He Ain’t
  • Hundreds of Girls

ACT II

  • Entr’acte
  • When Mabel Comes In The Room
  • Hit ‘Em on the Head
  • Time Heals Everything
  • Tap Your Troubles Away
  • I promise you a Happy ending

ADDED SONGS FOR REVIVAL

  • Mack & Mabel
  • Hit ‘Em On The Head

CUT SONG FOR REVIVAL

  • My Heart Leaps Up
Awards

1975 Tony Award Nominations: Best Musical, Best Book, Best Leading Actor, Best Leading Actress, Best Scenic Design, Best Costume Design, Best Choreography, Best Direction

Licensing

UK: Samuel French

USA: Samuel French

 

Bugsy Malone

Bugsy Malone is one of the most popular movie musicals ever made, directed and written by film maker Alan Parker. The success of the film, which famously featured an all child cast, spurned numerous stage productions around the world, and the show is a popular choice for schools and amateur theatre companies, because of the heavy child involvement. The original London production opened in 1983 where it ran at Her Majesty’s Theatre. A particularly well received production opened in 1997, performed by the National Youth Music Theatre which starred Sheridan Smith.

Bugsy Malone

Paul Williams

Paul Williams

Alan Parker

the film of the same name

Productions

Original London Production

Her Majesty's Theatre - Opened 23 May 1983, closed 1 Jan 1970, 300 performances

London Revival

Queen's Theatre - Opened 1 Jun 1997, closed 1 Aug 1997

Cast: Paul Lowe, Janee Bennett, Leanne Connelly, Chris Dyer, Matt Fraser, Nana Kumi, Alex Lee, Malinda Parris, Stuart Piper, Sheridan Smith, Hannah Spearritt, Michael Sturges, and Shean Williams



What was your favourite production? Add your thoughts in the comments box

Synopsis

“Bugsy Malone” walks around his neighbourhood where three murders have taken place (all committed with “splurge guns” that shoot whipped cream). He arrives at “Fat Sam’s Grand Siam,” run by the eponymous mob boss. Fat Sam is furious that one of his henchmen was killed in the recent spate of murders committed by his rival Dandy Dan.

At the club Bugsy meets Blousy Brown, a girl who has auditioned to sing at the club but been rejected, as Fat Sam prefers letting his girlfriend Tallulah sing. Bugsy takes her out to dinner and they begin to fall for each other before the restaurant is raided by Dandy Dan, who hopes to take command of the town as the sole mob boss (“They Call Him Dandy”). 

Blousey auditions for a part in the Lena Marelli show at another nightclub, as Lena has just quit. However, just as she begins to sing Lena returns to work, and it appears her quitting is a weekly ritual. Bugsy consoles a dejected Blousey by promising to speak to Fat Sam for her about a job.

At the club, Fat Sam is worried about Dandy Dan’s growing power and sends his gang to obtain new weapons. However, they are ambushed and taken out by Dandy Dan and his henchmen. Fat Sam and his only remaining cohort Knuckles have no choice but to secure the services of psychotic killer Looney Bergonzi and arrange a meeting with Dandy Dan himself. Meanwhile, Blousey has arrived to audition for Fat Sam, and walks in on Tallulah seducing Bugsy. Devastated, she still manages to secure the gig, and Bugsy attempts in vain to reconcile with her.

Fat Sam pays Bugsy $200 to serve as the getaway driver for their meeting with Dandy Dan. When their secret weapon Looney Bergonzi is revealed, Dandy Dan’s posse emerges from the shadows and attacks them. Bugsy quickly manages to pull Fat Sam to safety and is rewarded with an additional $100. He finds Blousey to tell her about the money, which he plans to use to take them to Hollywood where she can become a real star.

Bugsy is mugged by thugs who steal all of his money, but he is helped by a stranger named Leroy who impresses him with his fighting skills. Bugsy believes he could be a boxing star and decides to take him on as his manager (“So You Wanna Be a Boxer”).

Fat Sam is planning a final assault on Dandy Dan and sends Tallulah to ask Bugsy for help. She finds him at the train station where he is waiting for Blousey to arrive for their trip to Hollywood. Tallulah tells him Fat Sam will give him $400 for his help, and he agrees, leaving Blousey to find the station empty. She calls Bugsy who says he has things to do instead of going on the trip, and Blousey is heartbroken (“Ordinary Fool”).

Fat Sam and Bugsy bring Leroy along to the fight, but finding themselves outnumbered, they enlist the help of men standing in a local breadline (“Down and Out”). Just as they meet up with Dandy Dan’s gang, the police arrive, but Bugsy, Fat Sam and Leroy all manage to escape. They head back to Fat Sam’s club, where Bugsy gives an elated Blousey two tickets to Hollywood. Dandy Dan invades the club and a massive splurge gunfight ensues.

Songs
  • Overture
  • I Could Have been Anything That I Wanted To Be
  • Fat-Sam’s Grand Slam Speakeasy
  • Bugsy Malone
  • Tomorrow
  • Bad Guys
  • I’m Feeling Fine
  • My Name Is Tallulah
  • So You Wanna Be A Boxer
  • Ordinary Fool
  • Down & Out
  • You Give A Little Love
  • Chinese Laundry
  • Double Chorus
  • That’s Why They Call Him Dandy
  • I’m Feeling Fine (reprise)
  • Finale Act One: You Give A Little Love
Awards

Academy Award: Best Original Film Score (Paul Williams)

BAFTA: Best Supporting Actress (Jodie Foster)

Licensing

UK: Josef Weinberger

USA: Musical Theatre International

 

You’re a Good Man Charlie Brown

You’re a Good Man, Charlie Brown was written in 1967 by Clark Gesner and is a musical based on the Peanuts cartoons created by Charles M Schulz. From modest beginnings off-Broadway the show has developed a cult following and is continually performed around the world, especially by theatre schools, summer camps and rep groups. The show gained more followers after the 1999 revival which starred Kristin Chenowerth and performed successfully at the Tony Awards, with a new song created by Andrew Lippa. The show follows a typical day in the life of Charlie Brown, along with his dog Snoopy. Characters such as Schroeder, Lucy and Linus all make an appearance with a number of group songs to tie the narrative together.

You're a Good Man Charlie Brown Original Poster

Clark Gesner

Clark Gesner

Clark Gesner

based on the comic strip Peanuts by Charles M. Schulz

Arthur Whitelaw & Gene Persson

Joseph Hardy

Patricia Birch

Productions
You're a Good Man Original Broadway

You're a Good Man Charlie Brown - Original Off Broadway

Theatre 80 - Opened 7 Mar 1967, closed 14 Feb 1971, 1597 performances

Cast: Bill Hinnant, Reva Rose, Karen Johnson, Bob Balaban, Skip Hinnant, Gary Burghoff

You're A Good Man Original London

You're a Good Man Charlie Brown - Original London

Fortune Theatre - Opened 1 Feb 1968, closed 1 Jan 1970, 116 performances

You're A Good Man Broadway Revival

You're a Good Man Charlie Brown - Broadway Revival

Longacre Theatre, Ambassador’s Theatre - Opened 4 Feb 1999, closed 13 Jun 1999, 149 performances

Cast: Anthony Rapp, Stanley Wayne Mathis, Ilana Levine, BD Wong, Kristin Chenowerth, Roger Bart



What was your favourite production? Add your thoughts in the comments box

Synopsis

The show opens with Charlie Brown standing alone as his friends surround him with positive remarks. This prompts him to wonder if he really is what they think and he strives to be a better character, (“You’re a Good Man Charlie Brown”). At school he talks about how some days are better than others, and notices the Little Red-Haired Girl that he wants to sit with but can’t find the courage to do so. Lucy tells everyone she is infatuated with Schroeder and asks him if they can be married. He ignores her and continues to play the piano, “Schroeder”.

Snoopy relaxes on the top of his doghouse and begins to daydream about being chased, (“Snoopy”). Linus enters along with his blanket that he keeps with the all the time and is mocked by Lucy and Sally. He has a fantasy involving a world where everyone can relax with their favourite blankets, (“My Blanket and Me”).
Charlie Brown tries to get his kite to fly (“The Kite”) but it ends up getting caught in the kite-eating tree. Charlie Brown tries to give Lucy a Valentine’s Day card but ends up going wrong and making a fool of himself. Lucy acts as a Doctor and begins to analyse his habits, “The Doctor is In”. Schroeder gets the whole company to delight in the news of Beethoven’s birthday and they all sing “Beethoven Day”.

At school everyone has to work on their Peter Rabbit book report and everyone is worried about the 100 words. Schroeder compares it to Robin Hood, Linus delivers a complicated psychological analysis and Charlie Brown can’t even seem to put pen to paper, (“The Book Report”).

The second act begins with Snoopy pretending he is a World War I pilot, searching for “The Red Baron”. Sally is upset that her teacher has given her a D on her homework assignment and develops a “New Philosophy” which involves the word “NO!” The group take part in the Little League Baseball Championship and as Charlie Brown steps up to bat he strikes out and loses the whole game, (“The Baseball Game”). Lucy realises that her crabbiness rating if 95% and is upset with herself. Looking for a new talent, Charlie Brown joins Schroeder’s Glee Club which no one seems to taker seriously, leaving Snoopy as the only one singing, “Glee Club Rehearsal”.

Lucy tries to teach Linus about the ways of the world including examples of bugs making the grass grow and eagles being the best food for Thanksgiving. Charlie Brown knows this is wrong but she won’t be corrected on her “Little Known Facts”. Snoopy meanwhile is upset that Charlie Brown hasn’t fed him and bursts into a production number about “Suppertime”. Charlie Brown is still trying to figure out what makes him a ‘good man’ and discovers a pencil which the Little Red-Headed Girl has dropped. He realises that is has teeth marks on and that she is therefore human! He finally understands that it is the little things in life that can lead to “Happiness” and realises that to be a ‘good man’ you have to try your best.

Songs

ACT I

  • Opening
  • You’re A Good Man, Charlie Brown
  • Bridge To Schroeder
  • Schroeder
  • Quick Changes
  • Snoopy
  • Change Music
  • My Blanket And Me
  • Change Music (To Lucy)
  • Queen Lucy
  • Change Music (To Kite)
  • The Kite
  • Valentines
  • Lucy Opens Shop
  • The Doctor Is In
  • Snoopy-Sugarlips
  • The Book Report
  • Leaf

ACT II

  • The Red Baron
  • Change Music
  • Rabbit Chasing
  • Change Music
  • The Baseball Game
  • Baseball Tag
  • Crabbiness Survey
  • Bridge To Glee Club
  • Glee Club Rehearsal
  • Change Music
  • Quick Changes
  • Little Known Facts
  • Suppertime
  • Night Scene (vamp 1)
  • Night Scene (vamp 2)
  • Night Scene (vamp 3)
  • Night Scene (last vamp)
  • Happiness
  • Bow Music

From the Revival Version (music by Andrew Lippa)

  • My New Philosophy
  • Beethoven Day
Awards

1967 Drama Desk Awards: Best Performer, Outstanding Direction of a Musical.

1968 Grammy Award: Best Show Album

1999 Tony Award: Best Featured Actor in a Musical (Rodger Bart), Best Featured Actress in a Musical (Kristin Chenowerth)

Licensing

UK: Music Scope UK

USA: Tams-Witmark

Damn Yankees

Damn Yankees is a classic Broadway musical from the 1950s that has become a favourite show in the USA, thanks to a number of high profile revivals and regional productions. The original production took home the Tony Award for Best Musical and Bob Fosse’s unmistakable style became synonymous with the show itself. Based on the Faustian myth, Joe sells his soul to the Devil in return for the Washington Senators having a chance at the Baseball Pennant. He is seduced by the Devil’s assistant Lola, who was memorably played in the film by Gwen Verdon. Recent revivals of the show have included the Encores! series which starred Sean Hayes as Mr Applegate.

Damn Yankees Original Playbill

Richard Adler

Jerry Ross and Richard Adler

George Abbott and Douglass Wallop

Douglass Wallop’s play The Day the Yankees Lost the Pennant

Frederick Brisson, Robert Griffith, and Harold Prince

George Abbott

Bob Fosse

Productions
Damn Yankees Original Broadway

Damn Yankees Original Broadway

46th Street Theatre - Opened 5 May 1955, closed 17 May 1957, 1109 performances

Cast: Gwen Verdon, Stephen Douglass, Ray Walston, Russ Brown, Shannon Bolin, Rae Allen, Jean Stapleton, Nathaniel Frey, and Robert Shafer

Damn Yankees Original London

Damn Yankees Original London

London Coliseum - Opened 28 Mar 1957, closed 1 Jan 1970, 258 performances

Damn Yankees Broadway Revival

Damn Yankees Broadway Revival

Marquis Theatre - Opened 3 Mar 1994, closed 12 Mar 1995, 715 performances

Cast: Bebe Neuwirth, Victor Garber, Jerry Lewis

Damn Yankees London Revival

Damn Yankees London Revival

Adelphi Theatre - Opened 4 Jun 1997, closed 12 Mar 1997, 715 performances

Damn Yankees Encores Revival

Damn Yankees Encores Revival

City Center - Opened 5 Jul 2008, closed 3 Jul 2008

Cast: Jane Krakowski, Sean Hayes, Randy Graff, Megan Lawrence, PJ Benjamin, Cheyenne Jackson



What was your favourite production? Add your thoughts in the comments box

Synopsis

Real Estate agent Joe Boyd is a die-hard fan of the Washington Senators, a failing baseball team, and his wife Meg hates that it consumes his life for “Six Months Out of Every Year.” One evening, mourning another loss, he mumbles to himself that he would sell his soul if the team were successful. A salesman, Mr. Applegate, suddenly appears, and turns out to be the Devil in disguise. He offers Joe a plan: in exchange for his soul, Mr Applegate will transform Joe Boyd into Joe Hardy a young, athletic man who will be able to lead the Senators to victory. Joe insists on an exit clause, and Mr. Applegate agrees that if Joe leaves the team before their final game, he can have his soul back – if not, he will lose it forever.

The Senators lament their latest loss, but insist that they still have “Heart,” and can win if they try harder. Joe Hardy arrives to join the team and a reporter named Gloria Thorpe instantly recognises his talent and writes a story about this “Shoeless Joe from Hannibal, Mo.” Joe misses his wife and, still in disguise, rents a room in his old house from Meg, who is upset over her missing husband (“A Man Doesn’t Know”).

Mr. Applegate grows concerned that Joe will renege on the deal, so he calls up one of his most loyal servants, a sultry temptress named Lola. She agrees to seduce Joe and will force him to stray from his wife with “A Little Brains, A Little Talent.” Mr. Applegate introduces her to Joe, who rebuffs her advances, despite her assurances that “Whatever Lola Wants, Lola Gets.” When she fails, Mr. Applegate shows her “Who’s Got the Pain” by sending her back to hell.

Mr. Applegate is forced to come up with a new strategy and decides to publish claims that Joe Hardy is really an escaped con artist. Gloria becomes aware of the allegations and forces the matter into court. Meanwhile, the Senators are gearing up for “The Game” without Joe, who confesses to Meg that he is really her husband in “Near to You.”

The trial is scheduled for the same day as the big game, and though Mr. Applegate conjures up a number of people to testify against Joe, the prosecution’s case ultimately unravels. Scared he will lose Joe’s soul, Mr. Applegate banishes him to hell, but moved by Joe’s genuine love for Meg, Lola helps him escape.

Joe joins his team for the final game, only for Mr. Applegate to arrive when Joe is at bat with just five minutes until the deadline specified in his exit clause. He causes Joe to get two strikes against him, and with just seconds before he will lose his soul for ever, Joe insists that Mr. Applegate let him go. He is immediately transformed back into the middle-aged Joe Boyd. He miraculously manages to still hit a home run, winning the game for the Senators.

He returns home to his beloved Meg, only for Mr. Applegate to arrive and insist on claiming Joe’s soul. Meg pleads for Joe’s soul in “A Man Doesn’t Know, Reprise.” Lola arrives to explain that even the Devil cannot overcome true love and they both retreat to hell as Joe and Meg live happily ever after.

Songs

Act I 

  • Six Months Out Of Every Year
  • Goodbye Old Girl
  • Where You Going Now
  • Blooper Ballet
  • Heart
  • Shoeless Joe
  • A Little Brains, A Little Talent
  • A Man Doesn’t Know
  • Whatever Lola Wants
Act II 
  • Who’s Got The Pain?
  • The Game
  • Near To You
  • The Good Old Days
  • Two Lost Souls
  • A Man Doesn’t Know
 
Awards

1957 Tony Awards: Best Musical, Best Leading Actor (Walston), Best Leading Actress (Verdon), Best Featured Actor (Brown), Best Authors, Best Producers, Best Choreography, Best Sound.

Licensing

UK: Josef Weinberger

USA: Musical Theatre International

Funny Girl

Funny Girl is a successful stage and film musical that features a score by Jule Styne and Bob Merrill, along with a book by Isolbel Lennart. The musical is semi-autobiographical and is based on the life and career of Fanny Brice, the Broadway star and personality. Her stormy relationship with Nicky Arnstein  is played out through a flashback, which incorporates her rise to fame. The musical is perhaps best known because of the film adaptation starring Barbara Streisand who reprised her role from the stage.

Funny Girl Original Playbill

Jule Styne

Bob Merrill

Isobel Lennart

the life and career of Fanny Brice

Ray Stark in association with Seven Arts Productions

Garson Kanin

Carol Haney

Productions

Original Broadway Production

March 26, 1964 – July 1 1967; Winter Garden Theatre, Majestic Theatre, Broadway Theatre, (1348 performances)

Cast: Barbra Streisand, Sydney Chaplin, Kay Medford, Jean Stapleton, Danny Meehan

Movie Cast Included

Barbra Streisand, Kay Medford, Walter Pidgeon, Anne Francis & Omar Sharif

Original London Production

1966; Prince of Wales Theatre.



What was your favourite production? Add your thoughts in the comments box

Synopsis

Real-life legend Fanny Brice is the star of the glamorous Ziegfield Follies on Broadway and the toast of New York in the Roaring Twenties. As she awaits her husband’s release from prison, she reflects on her incredible true story in a series of flashbacks.

In 1910, young Fanny is the daughter of Hungarian Jewish immigrants who emigrated to New York City at the turn of the century. She dreams of becoming a Broadway star, but her widowed mother and her friends, led by Mrs. Strokash, insist that “If a Girl Isn’t Pretty” she has no chance of making it in show business. Fanny vows to prove them wrong, singing “I’m the Greatest Star.”

Fanny befriends a Vaudevillian dancer, Eddie, who recognises her talent, but alongside her mother worries that she’ll forget him when she is famous (“Who Taught Her Everything?”). Nonetheless, Eddie secures her a gig singing in his musical revue, and when Fanny turns her ballad “His Love Makes Me Beautiful” into a comic tour de force, it’s clear her star is on the ascent.

When Fanny meets the good-looking gambler Nick Armstein, she promptly falls in love (“People”). The feelings are mutual, and Nick declares his love in “You Are Woman, I Am Man.” Though others worry about his shady past, Fanny decides she will marry him no matter what (“Don’t Rain On My Parade”).

Fanny enjoys life as a married woman in “Sadie, Sadie,” and lands a starring role in the Follies, run by the illustrious Florenz Ziegfield. Meanwhile Mrs. Strokash and Eddie try to convince Fanny’s mother that it’s now time for her to “Find a Man.” Nick hatches a plan to launch a casino and asks Ziegfield to invest, but when he turns Nick down, Fanny decides to front the rest of the money. They lose their fortune when the deal collapses, and Nick chooses to take part in an illegal bond sale, which leads to his arrest for embezzlement. Fanny is heartbroken and feels like she cannot go on without him, singing “The Music That Makes Me Dance.”

Flashing forward to the present, Nick arrives at the theatre after being released from prison, and he decides it would be best for Fanny if they separated. Though devastated, Fanny decides the show must still go on (“Don’t Rain On My Parade, Reprise”).

Songs
  • If A Girl Isn’t Pretty
  • I’m The Greatest Star
  • Cornet Man
  • Who Taught Her Everything
  • His Love Makes Me Beautiful
  • I Want To Be Seen With You Tonight
  • Henry Street
  • People
  • You Are Woman
  • Don’t Rain On My Parade
  • Sadie, Sadie
  • Find Yourself A Man
  • Rat-Tat-Tat-Tat
  • Who Are You Now?
  • The Music That Makes Me Dance
  • Roller Skate Rag
  • The Swan
  • Funny Girl
  • I’d Rather Be Blue Over You
  • My Man
Awards

Tony Awards: Best Musical, Best Composer and Lyricist, Best Actor in a Musical (Sydney Chaplin), Best Actress in a Musical (Barbra Streisand), Best Featured Actor in a Musical (Danny Meehan), Best Featured Actress in a Musical (Kay Medford), Best Choreography (Carol Haney), Best Producer of a Musical (Ray Stark), Grammy Award: Score from Original Cast Album

Oscar: Best Actress Barbara Streisand 1968

Licensing

UK: Music Scope UK

USA: Tams-Witmark

Cats

Andrew Lloyd Webber’s iconic musical Cats is one of the most successful musicals ever produced. Both the West End and Broadway productions held the record for the longest ever running musical, amounting to over 14,000 performances in both cities combined. The show uses TS Eliot’s ‘Old Possum’s Book of Practical Cats’ for its inspiration and libretto and is extremely dance heavy. The show doesn’t follow the usual linear format, instead it combines a number of stories to give an overall concept.

Cats

Andrew Lloyd Webber

T. S. Eliot,Trevor Nunn, Richard Stilgoe

T. S. Eliot,Trevor Nunn, Richard Stilgoe

T.S. Eliot’s Old Possum’s Book of Practical Cats.

Cameron Mackintosh, David Geffen & Really Useful Co.

Trevor Nunn & Gillian Lynne

Gillian Lynne

Productions
Cats Original Broadway

Original Broadway Production

Winter Garden Theatre - Opened 11 May 1981, closed 10 Sep 2000, 7485 performances

Cast: Elaine Paige, Stephen Tate, Sarah Brightman, Myra Sands, Wayne Sleep, Brian Blessed, Paul Nicholas, Bonnie Langford. 

Cats Original London

Original London Production

New London Theatre - Opened 11 May 1981, closed 11 May 2002

Cast: Elaine Paige, Stephen Tate, Sarah Brightman, Myra Sands, Wayne Sleep, Brian Blessed, Paul Nicholas, Bonnie Langford. 

Cats small image

Cats 2014 London Revival

The London Palladium - Opened 23 Oct 2014, closed 25 Apr 2015

Cast: Nicole Scherzinger as Grizabella



What was your favourite production? Add your thoughts in the comments box

Synopsis

Twitter Synopsis:

Cats meet in a junkyard to dance at a Jellicle Ball. The leader of the pack selects the dirty cat to be reborn in Eliot’s iambic ballet. 

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As the Jellicle Moon rises over an abandoned junk yard a number of cats entertain themselves and tell the audience exactly what it means to be a Jellicle cat. We are introduced to their different personalities and find out about ‘The Naming of Cats’. They begin to present their case for one cat to be reborn in The Heaviside Layer, chosen by their leader Old Deuteronomy. First to make their claim is the Old Gumbie Cat whose charitable work includes schooling the mice and making beetles dance. The Rum Tum Tugger is a mysterious cat who is contrary in his opinions and a remarkable hit with the female felines. Bustopher Jones, the St James’s Street Cat shares his upper class values and is entertained by the younger kittens. A flash of lightning scares the group and whispers of Macavity scare some away. It is actually the famous cat burglars ‘Mugojerry and Rumpleteazer’ who work together in a life of petty crimes. The tone shifts when Grizabella the Glamour Cat makes an appearance with a torn coat and shoddy appearance. Whilst many cats shun her, some are more sympathetic. The entrance of Old Deuteronomy causes some excitement as he arrives to select which cat is to be reborn. The cats entertain him by narrating a story about the battle between the Pekes and the Pollicles, before the time arises for the Jellicle Ball to commence. As the cats dance for joy, Grizabella enters and sings of her ‘Memory’.

Old Deuteronomy tells the tribe about the ‘moments of happiness’, introducing them to Gus the Theatre Cat, who recounts his tales of the stage. He tells a dramatic story of Growltiger the pirate who was in love with Griddlebone. As his story comes to an end, Skimbleshanks the Railway Cat is caught sleeping and tells of his life on the sleeper train from London to Scotland. His song is brought to an abrupt end by Macavity the Mystery Cat, and the whole gang, flee, and Old Deuteronomy goes missing. The other cats fight with Macavity, and it is up to Mr Mistoffelees to magically bring their leader back. Old Deuteronomy then makes his Jellicle choice and chooses Grizabella to journey up to the Heaviside layer and be reborn. As she disappears on a floating tire, he has one final word for the audience on how to address a cat.

Songs

Act I

  • Jellicle Songs for Jellicle Cats….The Company
  • The Naming of Cats …………….The Company
  • The Invitation to the Jellicle Ball ………. Munkustrap, Victoria, Mistofelees
  • The Old Gumbie Cat.…………….Munkustrap, Jennyanydots, Demeter, Bombalurina, Jellylorum
  • The Rum Tum Tugger
  • Grizabella, The Glamour Cat.……Grizabella, Demeter, Bombalurina
  • Bustopher Jones……………….Bustopher, Jennyanydots, Jellylorum, Bombalurina
  • Mungojerrie and Rumpleteazer …..Mungojerrie, Rumpleteazer
  • Old Deuteronomy ………………Munkustrap, The Rum Tum Tugger, Old Deuteronomy
  • The Awefull Battle of the Pekes and Pollicles ……Munkustrap, The Rumpus Cat
  • The Marching Songs of the Pollicle Dogs……Munkustrap, The Rumpus Cat
  • The Jellicle Ball…………….The Company
  • Memory……………………….Grizabella

Act II

  • The Moments of Happiness…..Old Deuteronomy, Sillabub
  • Gus: The Theatre Cat….Jellylorum, Asparagus 
  • Growltiger’s Last Stand……….Growltiger, Griddlebone, The Crew, Genghis
  • The Ballad Of Billy M’Caw
  • Skimbleshanks ………………Skimbleshanks
  • Macavity ……………Demeter, Bombalurina, Alonzo, Macavity, Munkustrap
  • Mr. Mistoffelees …….Mistoffelees, The Rum Tum Tugger
  • Memory ………………Sillabub, Grizabella 
  • The Journey to the Heaviside Layer………The Company
  • The Addressing Of Cats
Awards

Winner of the following Tony Awards

  • Best Musical
  • Outstanding Performance in a Musical by an Featured Actress- Betty Buckely
  • Outstanding Direction of a Musical-Trevor Nunn
  • Best Score of a Musical-Andrew Lloyd Webber (score) and T.S. Elliot (lyrics)
  • Best Book of a Musical-T.S. Elliot
  • Outstanding Costume Design-John Napier
  • Outstanding Lighting Design-David Hersey

Nominated for

  • Outstanding Performance by an Actor in a Musical-Harry Groener
  • Outstanding Performance by an Actor in a Musical-Stephan Hanah
  • Outstanding Scenic Design-John Napier
  • Outstanding Choreography-Gillian Lynne

Olivier Awards

  • Best Musical
  • Outstanding Achievement in Musicals Gillian Lynne
Licensing

UK: R & H Theatricals

USA: R & H Theatricals

 

 

A Little Night Music

A Little Night Music is one of Sondheim’s most popular musicals, especially in London. Featuring music and lyrics by Stephen Sondheim and book by Hugh Wheeler, the show is inspired by Ingmar Bergman’s film ‘Smiles of a Summer Night’ and follows the romantic entanglements of various couples. The show is written almost entirely in 3/4 waltz time, or derivatives thereof and includes show standards ‘Send in the Clowns’, ‘The Miller’s Son’ and ‘A Weekend in the Country’.  The show has been revived countless times in London, and has become a highly regarded musical, with many stage actresses longing to play the part of fading rose Desire Armfelt.

A Little Night Music

Stephen Sondheim

Stephen Sondheim

Hugh Wheeler

the film Smiles of a Summer Night by Ingmar Bergman

Harold Prince

Harold Prince

Patricia Birch

Productions
A Little Night Music - Original Broadway

A Little Night Music - Original Broadway

Schubert Theatre - Opened 25 Feb 1973, closed 3 Aug 1974

Cast: Glynis Johns (Desiree Armfeldt), Len Cariou (Fredrik Egerman), Hermione Gingold (Madame Armfeldt), Victoria Mallory, Judith Kahan, Mark Lambert, Laurence Guittard, Patricia Elliott, George Lee Andrews, and D. Jamin Bartlett.

A Little Night Music Original London

A Little Night Music - Original London

Adelphi Theatre - Opened 15 Apr 1975, closed 1 Jan 1970, 406 performances

Cast: Jean Simmons, Joss Ackland, David Kernan, Liz Robertson, Diane Langton, and Hermione Gingold.

A Little Night Music - First London Revival

A Little Night Music - First London Revival

Piccadilly Theatre - Opened 6 Oct 1989, closed 17 Feb 1990

A Little Night Music - National Theatre

A Little Night Music - National Thetare

National Theatre - Opened 26 Sep 1995, closed 31 Aug 1996

Cast: Judi Dench, Joanna Riding 

A Little Night Music - Menier

A Little Night Music - Menier Chocolate Factory

Menier Chocolate Factory - Opened 22 Nov 2008, closed 8 Mar 2009

Cast: Hannah Waddingham, Jesse Buckley, Alexander Hanson

A Little Night Music - Garrick

A Little Night Music - 3rd London Revival

Garrick Theatre - Opened 28 Mar 2009, closed 25 Jul 2009

Cast: Hannah Waddingham, Jesse Buckley, Alexander Hanson

A Little Night Music - Broadway Revival

A Little Night Music - Broadway Revival

Walter Kerr Theatre - Opened 13 Dec 2009, closed 9 Jan 2011, 425 performances

Cast: Catherine Zeta-Jones, Angela Lansbury, Leigh Ann Larkin, Alexander Hanson. Elaine Stritch and Bernadette Peters took over in the role. 



What was your favourite production? Add your thoughts in the comments box

Synopsis

The musical is set in Sweden around the turn of the 20th Century. We are introduced to a Quintet who act as a form of Greek chorus, vocalising their thoughts on the proceedings and relationships of the lead characters. A waltz begins and the characters begin to dance with their respective partners, although this begins to shift and change. As they settle down, the elderly Madame Armfeldt enters with her granddaughter Fredrika, whom she tells about the summer night ‘smiling’ three times – first on the young, secondly on the fools and thirdly on the old. The first couple we see is the middle aged Fredrik Egerman, a lawyer who has recently married his second wife, 18 year old Ann. She is incredibly immature and full of herself, not fully grasping the concept of marriage. She is secretly in love with his song Henrik, who is a year older then his stepmother. Frederick laments the lack of physical love between him and his wife, as he wife tells him that it will happen ‘soon’. Henrik, who is constantly told ‘later’ is a seminary student and suffers with constant torments.

Frederick’s former lover Desiree Armfeldt is a actress who leads ‘The Glamorous Life’. Her daughter Fredrika is taken care of by her mother Madame Armfeldt whilst she tours the country in various productions. Frederick excites Anne by giving her two tickets to Desiree’s latest play, although she doesn’t realise his true intentions are to see his ex-lover once again. At the play, Anne works out the connection and storms home. Fredrik remembers his past connections and pays Desiree a visit in her dressing room. Although they are happy to see each other, there are many awkward moments as they try to remember their past life together, and Fredrick tells her all about Anne. The pair sleep together for ‘old times sake’ but are interrupted by Count Carl-Magnus, with whom Desiree has been having an affair with. They fool him into believing that Fredrick was only visiting on a professional basis and he returns to his wife Charlotte, whilst musing over their real intentions. Charlotte is blissfully aware of her husband’s deceit, but Carl-Magnus is too wound up in his own jealousy over Desiree that he fails to notice that she doesn’t care. He hatches a plot to send Charlotte round to Anne’s home to tell her what has been going on.

At the Egerman home Charlotte explains to Anne that marriage often brings a lot of pain. Desiree persuades her mother to throw a party at her country estate so she can invite Fredirk, Anne and Henrik. She sends out a personal invitation to them all, and as Charlotte tells her husband, he tells her that they will too arrive at the estate unannounced. The first act closes as everyone prepares for their ‘Weekend in the Country’.

Everyone arrives at the home of Madam Armfeldt, each with their own motives and desires. The women bicker, and Fredrick is astonished to discover Desiree’s daughter Fredrika. He and Carl Magus discuss how wonderful Desiree really is. They all sit down for dinner, and Charlotte becomes increasingly more drunk, flirting with Fredrik to annoy her husband. Everyone begins shouting and Henrik finally cracks, scolding the amoral nature of the meeting. Fredrika tells Anne that Henrik is in love with her and they run off to find him. Desiree asks Fredrick is he needs to be saved from his life. He tells her that he is still in love with her, but only as a dream. Anne finally finds Henrik who is attempting to kill himself. Anne stops him, and they kiss leading to their first sexual encounter. Madame Armfelt’s manservant Frid is sleeping with Petra, Anne’s maid and she sings of the freedom not being married can bring a person. Carl Magus challenges Fredrik to a game of Russian Roulette, in which Fredrik misfires and hits his ear. Charlotte and the Count reconcile and he gives up on his dream of Desiree. Fredrik finally confesses his love for Desiree and accepts Fredrika as his daughter. Anne and Henrik run off together, as the third smile on the old leads Armfeldt to a peaceful death.

Songs

Act I

  • Overture
  • Night Waltz
  • Piano Practice
  • Now
  • Later
  • Soon
  • The Glamorous Life
  • Remember I
  • Remember III
  • You Must Meet My Wife
  • Liasons
  • In Praise of Women
  • Every Day a Little Death
  • A Weekend in the Country
Act II
  • Entr’acte
  • Night Waltz – The Sun Won’t Set
  • Night Waltz II
  • It Would Have Been Wonderful
  • Dinner Table Scene
  • Send in the Clowns
  • Miller’s Son
  • Soon-Reprise
  • You Must Meet My Wife-Reprise
  • Liasons-Underscore
  • A Weekend in the Country-Reprise
  • Every Day a Little Death-Reprise
  • Send in the Clowns-Reprise
  • Bows
Awards

1973 Tony Awards: Best Musical, Best Book of a Musical, Best Original Score, Best Leading Actress, Best Costume Design.

1995 Olivier Awards: Best Actress in a Musical (Judi Dench)

2010: Best Actress in a Musical (Catherine Zeta Jones)

Licensing

UK: Josef Weinberger

USA: Musical Theatre International

 

 

42nd Street

42nd Street features a book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and music by Harry Warren. Originally opening on Broadway with direction and choreography by award-winning Gower Champion, 42nd Street quickly became one of the most popular musicals and one of Broadway’s longest running shows. Based on the novel by Bradford Ropes and the subsequent 1933 film adaptation, the musical follows famous director Julian Marsh as he attempts to produce a successful stage production during the height of the Great Depression in 1930’s New York. A popular musical for amateur and rep companies all over the world, 42nd is set to open once more at the Theatre Royal Drury Lane, London.

42nd-Street_Playbill

Harry Warren

Al Dubin

Mark Bramble, Michael Stewart

Bradford Rope's novel and Lloyd Bacon's 1933 film

Rian James, James Seymour, Whitney Bolton

David Merrick

Gower Champion

Gower Champion

Productions
42nd Street Original Broadway

Original Broadway Production

Winter Garden Theatre, Majestic Theatre - Opened 25 Aug 1980, closed 8 Jan 1989, 3486 performances

Cast: Jerry Orbach (Julian Marsh), Tammy Grimes (Dorothy Brock), Wanda Richert (Peggy Sawyer), Lee Roy Reams (Billy Lawlor) Replacements: Barry Nelson, Don Chastain, Jamie Ross (Julian Marsh) Elizabeth Allen, Dolores Gray, Millicent Martin (Dorothy Brock), Lisa Brown, Karen Ziemba (Peggy Sawyer)

42nd Street Original London

Original London Production

Theatre Royal Drury Lane - Opened 8 Aug 1984, closed 7 Jan 1989

Cast: James Laurenson (Julian Marsh), Georgia Brown (Dorothy Brock), Clare Leach (Peggy Sawyer), Maurice Lane (Andy Lee), Art Day (Oscar), Brent Verdon (Mac), Carol Ball (Annie), Margaret Courtenay (Maggie Jones), Hugh Futcher (Bert Barry), Michael Howe (Billy Lawlor), Felicity Lee (Lorraine), Catherine Terry (Phyllis), Ralph Lawton (Abner Dillon), Bob Sessions (Pat Denning)

42nd Street Broadway Revival

Broadway Revival

Foxwoods Theatre - Opened 2 May 2001, closed 2 Jan 2005, 1524 performances

Cast: Michael Cumpsty (Julian Marsh), Christine Ebersole (Dorothy Brock), Kate Levering (Peggy Sawyer), David Elder (Billy Lawlor) Replacements: Meredith Patterson (Peggy Sawyer), Todd Lattimore (Billy Lawlor), Patrick Cassidy, Tom Wopat (Julian Marsh), Shirley Jones, Beth Leavel (Dorothy Brock)

42ndstreet-uktour

UK Tour (2007)

UK Tour - Opened 26 Feb 2007, closed 24 Nov 2007

Cast: Paul Nicholas (Julian Marsh), Julia J. Nagle (Dorothy Brock), Jessica Punch (Peggy Sawyer), Ashley Nottingham (Billy Lawlor), Annie (Rebecca Marks), Maggie (Shirley Jameson), Graeme Anderson (Andy Lee), Graham Hoadly (Bert Barry), David Birch (Mac), Danielle Corlass (Lorraine)

42ndstreet-uktour2012

UK Tour (2012)

UK Tour - Opened 1 Jun 2012, closed 1 Dec 2012

Cast: Dave Willetts (Julian Marsh), Marti Webb (Dorothy Brock), Jessica Punch (Peggy Sawyer), James O’Connell (Billy Lawlor), Bruce Montague (Abner Dillon), Carol Ball (Maggie Jones), Graeme Henderson (Andy Lee)

42ndstreet-ustour

US Tour (2015)

US Tour - Opened 22 Sep 2015, closed 24 Jul 2016

Cast: Matthew J. Taylor (Julian Marsh), Kaitlin Lawrence (Dorothy Brock), Caitlin Ehlinger (Peggy Sawyer), Blake Stadnik (Billy Lawlor), Britte Steele (Maggie), Steven Bidwell (Bert Barry), Mark Fishbank (Abner Dillon), DJ Canaday (Pat Denning), Natalia Lepore Hagan (Annie), Lamont Brown (Andy Lee), Vanessa Mitchell (Lorraine), Mallory Nolting (Phyllis)

42nd Street

London Revival

Theatre Royal Drury Lane - Opened 20 Mar 2017, closed 22 Jul 2017

Cast: Cast yet to be announced.



What was your favourite production? Add your thoughts in the comments box

Synopsis

Twitter Synopsis:

A chorus girl from out of town steps in to save the day when the star breaks her leg, becoming an overnight Broadway sensation!

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Set at the height of 1933’s Great Depression, auditions are underway for a brand new Broadway show. Fresh off the bus from Allentown, Peggy Sawyer has arrived in New York with the hopes of making it big in New York and is noticed immediately by Billy Lawlor, who hopes to charm her into going on a date with him. Although Peggy misses the audition, Billy tells her that he can help, despite the choreographer Andy Lee having no time for another chorus girl. Peggy is embarrassed and runs off, straight into the director Julian Marsh, followed by fading star Dorothy Brock, is disgusted at being made to audition for a role. A prima donna and ultimate diva, Dorothy brings with her a lot of drama, but Julian decides to cast her in order to secure significant financial backing from her wealthy partner Abner.

Taking pity on poor Peggy, the chorus girls decide to take her to lunch. When they ask her to show them a dance routine, Julian spots her and instantly falls for her, deciding that there simply must be room for another dancer in the chorus. Later at a party, Julian discovers that Dorothy is cheating on Abner with an old flame and is worried about the future of the show. He decides to break up their relationship, hiring some thugs to threaten Dorothy’s old boyfriend.

Soon, the entire cast head to Philadelphia for an out-of-town tryout, but on opening night Peggy falls into Dorothy and knocks her over, breaking her ankle. Peggy is fired on the spot and forced to leave. Julian’s show’s fate hangs in the balance as Dorothy is unable to perform the production. The chorus girls are more than convinced that Peggy would be able to fill the part and convince Julian to bring her back. Rushing to the train station to fetch her, Julian realises that Peggy wants to leave town and showbiz and just go home. Instead, Julian persuades her to stay with “Lullaby of Broadway”.

Peggy begins to learn the role quickly and Dorothy even starts to offer some advice, being friendly towards her. On opening night, Peggy transforms from lowly chorus girl to instant Broadway sensation, changing her life forever. Choosing to attend the Chorus girls’ party instead of staying with Julian, 42nd Street ends with a rousing rendition of the title number.

Songs

Act I

  • “Overture” – Orchestra
  • “Audition” – Dancers
  • “Young and Healthy” – Billy and Peggy
  • “Shadow Waltz” – Dorothy, Maggie and Girls
  • “Shadow Waltz (Reprise)” – Dorothy
  • “Go Into Your Dance” – Peggy, Maggie, Annie, Phyllis, Lorraine, Gladys and Andy
  • “You’re Gettin’ to be a Habit with Me” – Dorothy
  • “Getting Out of Town” – Maggie, Bert, Pat and Chorus
  • “Dames” – Billy and Chorus
  • “Keep Young and Beautiful/Dames Reprise” – Maggie, Bert and Chorus
  • “I Only Have Eyes for You” – Dorothy and Billy
  • “I Know Now” – Dorothy, Billy and Chorus
  • “We’re in the Money” – Peggy, Billy, Annie, Phyllis, Lorraine, Gladys and Chorus
  • “Act One Finale” – Dorothy

Act II

  • “Entr’acte” – Orchestra
  • “There’s a Sunny Side to Every Situation” – Annie and Chorus
  • “Lullaby of Broadway” – Julian and Chorus
  • “About a Quarter to Nine” – Dorothy and Peggy
  • “With Plenty of Money and You” – Boys
  • “Shuffle Off to Buffalo” – Maggie, Annie, Bert and Girls
  • “42nd Street” – Peggy and Chorus
  • “42nd Street (Reprise)” – Julian
  • “Finale Ultimo” – Company
Awards

1981 Tony Awards: Best Choreography (Gower Champion), Best Musical

1981 Drama Desk Awards: Outstanding Choreography (Gower Champion), Outstanding Costume Design (Theoni V. Aldredge)

1984 Olivier Awards: Best New Musical

1984 Evening Standard Awards: Best Musical

2001 Tony Awards: Best Revival of a Musical, Best Performance by a Leading Actress in a Musical (Christine Ebersole)

2001 Drama Desk Awards: Outstanding Revival of a Musical

Licensing

UK: Music Scope UK

USA: Tams-Witmark

 

 

Brigadoon

Brigadoon is a Scottish fantasy about a town that disappears into the Highland mist and returns for only one day every one hundred years. It includes Waitin’ for My Dearie, I’ll Go Home with Bonnie Jean, Come to Me, Bend to Me, Almost Like Being in Love, There But for You Go I, The Heather on the Hill and My Mother’s Weddin’ Day. This is a tribute to simplicity, true love and goodness, which is hidden from the ordinary traveler.

Brigadoon

Frederick Loewe

Alan Jay Lerner

Alan Jay Lerner

Cheryl Crawford

Robert Lewis

Agnes de Mille

Productions

Original Broadway Production

Ziegfeld Theatre - Opened 13 Mar 1947, closed 1 Jan 1970

Cast: David Brooks, Marion Bell, Pamela Britton, Lee Sullivan, George Keane, James Mitchell, William Hansen, Elliot Sullivan, Helen Gallagher, Hayes Gordon & Lidija Franklin

Original London Production

Her Majesty's Theatre - Opened 14 Apr 1949, closed 1 Jan 1970

Broadway Revival

Majestic Theatre - Opened 16 Oct 1980, closed 1 Jan 1970

London Revival

Adelphi Theatre - Opened 25 Oct 1988, closed 1 Jan 1970



What was your favourite production? Add your thoughts in the comments box

Synopsis

A New York couple Tommy and Jeff travel to the Scottish Highlands to hunt for game, but they get lost on their first attempt at hunting. They hear mystical music (“Brigadoon”) and a village appears that isn’t on their map. They decide to enter the village to find out directions back to where they are staying. Once they arrive they notice that a village fayre is underway (“McConnachy Square”) and see that everyone is dressed in their own form of tartan. Andrew MacLaren’s youngest daughter Jean is set to be wed to Charlie Dalrymple and their whole family come to visit the village in order to buy products for the wedding. Youngster Harry Beaton is in love with Jean and is upset that she is already engaged, whilst Jean’s oldest sister Fiona says that she is “Waitin’ For My Dearie” before she ever gets married.

Tommy and Jeff observe the village and enquire about where they are. Fiona notices them and invites them to her family home to rest and get some dinner. Sassy Meg Brockie the dairy maid is instantly attracted to Jeff and leads him away. She takes him to the forest but he rejects her advances and she is upset as she sings (“The Love of My Life”). As Charlie celebrates his last night as a single man (“Go Home to Bonnie Jean”) Tommy reveals that he is also engaged but in no rush to get married. Fiona tells him that she likes him a lot.

As the wedding preparations continue Jean’s friends help her pack to move out of the family home, (“Jeannie’s Packin’ Up”). Charlie tries to see the bride before her wedding day but the girls send him away (“Come to Me, Bend to Me”). Jeff returns and finds that Tommy is in love (“Almost Like Being in Love”). They look at the family Bible and realise everything is dated from 200 years ago. As they enquire, they are told to speak to Mr Lundie.

Mr Lundie explains to the New Yorkers that Brigadoon only appears to the normal world once every 100 years after a pastor prayed to God to protect the town. No one is allowed to leave, and life goes on as normal. Tommy asks if others are allowed to join the mythical town and is told that a stranger can only stay if he loves someone enough. They are told that if anyone leaves Brigadoon then it will disappear forever.

As the wedding begins the clans arrive from the neighbouring towns to celebrate with national dances. Harry is upset that Jean is married and tries to kiss her, forcing him to run away saying that he will leave Brigadoon and make it disappear forever.

The second act opens as the men of the town are searching for Harry before he leaves Brigadoon (“The Chase”). They find him dead, crushed by a rock but decide not to tell the town until the next day. Tommy and Fiona embrace, admitting their feelings to each other (“There But For You Go I”). The end of the day is near and Tommy decides to stay in Brigadoon forever.
Meg continues to celebrate with the town as she tells of “My Mother’s Wedding Day” and the company dance, before a funeral takes place for Harry.

Tommy tells Jeff of his plans to stay in Brigadoon but Jeff is furious, and convinces him the whole thing is a dream. Jeff confesses that he accidentally killed Harry after tripping him as he ran away. Tommy is shocked and tells Fiona that he has doubts about staying (“From The Day On”) and as the day ends, she fades away into the darkness.

Back in New York Tommy cannot seem to get Fiona out of his mind, despite his fiancée Jane being a beautiful socialite. As they plan their wedding he hears the music of Brigadoon, and he eventually tells her that they cannot get married. Tommy tells Jeff that he wants to return to Scotland even though he knows the village won’t appear.

As they arrive to the spot where they first came across the town, Tommy is upset when nothing appears. Suddenly they hear the music and Mr Lundie appears out of nowhere. He tells Tommy that anything can happen if you love someone enough, and Tommy crosses the bridge with him into the highland mist to reconcile with Fiona, leaving Jeff alone.

Songs
  • Overture
  • Prologue
  • Once In The Highlands
  • Brigadoon
  • Down On MacConnachy Square
  • Waitin’ For My Dearie
  • The Love of My Life
  • Sword Dance and Reel
  • The Funeral
  • I’ll Go Home With Bonnie Jean
  • The Heather On The Hill
  • Come To Me Bend To Me
  • Almost Like Being In Love
  • There But For You I go
  • The Chase
  • My Mother’s Weddin’ Day
  • From This Day On, Brigadoon
  • Jeannie’s Packin Up
Licensing

UK: Music Scope UK

USA: Tams-Witmark

 

9 to 5 the Musical

9 to 5: The Musical features music and lyrics by country music legend Dolly Parton. Based on the film ‘9 to 5’, the musical is adapted by Patricia Resnick, who also penned the screenplay. Parton starred in the 1980 movie and was at the helm of bringing the show to the stage, combining new material along with songs that she had previously written. Despite a fantastic cast, 9 to 5: The Musical ran for an exceptionally limited time on Broadway, closing before it reached 150 performances. A successful tour was launched in the UK in 2012, starring Ben Richards and Jackie Clune, with the production setting it sights on the West End.

9-to-5_Playbill

Dolly Parton

Dolly Parton

Patricia Resnick

Colin Higgins' 1980 film

Colin Higgins, Patricia Resnick

Center Theatre Group

Joe Mantello

Andy Blankenbuehler

Productions
9 to 5 Original Broadway

Original Broadway Production

Marquis Theatre - Opened 30 Apr 2009, closed 6 Sep 2009, 148 performances

Cast: Allison Janney (Violet Newstead), Stephanie J. Block (Judy Bernly), Megan Hilty (Doralee Rhodes), Marc Kudisch (Franklin Hart Jr), Kathy Fitzgerald (Roz Keith), Andy Karl (Joe)

9 to 5 UK Tour 2012

US Tour (2010)

US Tour - Opened 21 Sep 2010, closed 31 Jul 2011

Cast: Dee Hoty (Violet Newstead), Mamie Parris (Judy Bernly), Diana DeGarmo (Doralee Rhodes), Joseph Mahowald (Franklin Hart Jr), Kristine Zbornik (Roz Keith), Gregg Goodbrod (Joe)

9to5

UK Tour (2013)

UK Tour - Opened 9 Jan 2013, closed 27 Jul 2013

Cast: Ben Richards (Franklyn Hart), Jackie Clune (Violet Newstead), Natalie Casey (Judy Bernly), Amy Lennox (Doralee Rhodes), Bonnie Langford (Roz Keith), Mark Willshire (Joe) Replacements: Mark Moraghan (Franklyn), Anita Louise Combe (Roz)



What was your favourite production? Add your thoughts in the comments box

Synopsis

Twitter Synopsis:

Three office women conspire together to get rid of their misogynistic boss to create a more female-friendly office environment for all.

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9 to 5: the Musical  opens with various alarm clocks signalling the start of another working day, and we are introduced to Violet, Doralee and Judy in their various habitats. Another hellish day at Consolidated Industries begins under the hand of Franklin Hart Jr, whilst Judy starts her first day at work. Violet who promises to train her and show her how best to survive in the office. Franklin Hart Jr is hated by everyone in the office, especially Doralee, his secretary who he lusts over, much to her discomfort. Judy has a series of work-related issues on her first day and the three women bemoan their lives and personal issues. The next day Judy meets Doralee but Judy is scared of going to lunch with her. Meanwhile, Violet gets overlooked for another promotion and Doralee finds out that Hart has told people they are having an affair.

The three women unite in their hatred of Hart and fantasise about ways of killing their boss, but realise that he is very much alive when they have to go back to work. Racked with guilt, Violet believes she has accidentally poisoned Mr Hart with rat poison in his coffee, and go to the hospital to find him. Roz, who has feelings for their boss, overhears their worries and tells Hart, who goes along with the plan by pretending he was poisoned to scare the girls. He confronts Doralee, who panics and ties him to his chair using telephone wires. Later, the women make a plan to trap Hart in his own home, restraining him with a mechanical harness above his bed.

As the second act opens, the women are wondering how they can keep everyone in the dark about Hart’s disappearance. Doralee is able to forge his signature, so the girls start to run the company. Violet enjoys the new sense of power and finally feels like she is in the right position. But Roz soon begins to sniff around and the only way to get rid of her is to send her away to France on a conference. Hart continues to be strung up in his bedroom and still continues to assert his authority. In the office, the staff are thankful for the changes that the girls have made. Joe approaches Violet and asks her on a date, but she shrugs him off saying the death of her husband has made her unsure about getting back on the dating wagon. Joe convinces her to move on and she agrees to date him. Meanwhile, Judy’s ex husband Dick arrives and begs her to take him back, but she refuses him, telling him to get out and stay out.

Hart manages to escape, holding Judy hostage in the process. He credits himself with the positive changes in the office when the CEO arrives, and although the girls speak out, they are instantly shot down. Hart is then sent to deal with operations in Bolivia and Violet is promoted to his position.

Songs

Act I

  • “9 to 5″ — Violet, Doralee, Dwayne, Judy and Ensemble
  • “Around Here” — Violet and Ensemble
  • “Here for You” — Franklin Hart, Jr.
  • “I Just Might” — Judy, Doralee and Violet
  • “Backwoods Barbie” — Doralee
  • “The Dance of Death” — Judy, Hart and Ensemble
  • “Cowgirl’s Revenge” — Doralee, Hart and Ensemble
  • “Potion Notion” — Violet, Hart and Ensemble
  • “Joy to the Girls”  — Judy, Doralee, Violet, Hart and Ensemble
  • “Heart to Hart” — Roz and Ensemble
  • “Shine Like the Sun” — Doralee, Judy, Violet
Act II 
  • “Entr’acte” — Orchestra
  • “One of the Boys” — Violet and Boys
  • “5 to 9″ — Roz
  • “Always a Woman” — Hart and Men’s Ensemble
  • “Change It”  — Doralee, Violet, Judy and Ensemble
  • “Let Love Grow”— Joe, Violet
  • “Get Out and Stay Out”— Judy
  • “Finale: 9 to 5″ — Company
Awards

2009 Drama Desk Awards: Outstanding Actress in a Musical (Allison Janney)

Licensing

UK: Josef Weinberger

USA: Musical Theatre International

 

 

Wonderful Town

Wonderful Town is one of Leonard Bernstein’s most impressive musical scores. Featuring a book by Joseph A Fields and Jerome Chodorov, the musical is based on the Chodorov’s 1940 play ‘My Sister Eileen’. Betty Comden and Adolph Green provided the lyrics to what became some of Bernstein’s most memorable standards such as ‘Ohio’, ‘Conga’ and ‘A Million Ways to Loose a Man’. The show received its Broadway debut in 1953 and went on to win five Tony Awards including the coveted Best Musical Award. The show transferred to London in 1955, but was more popular when it was revived at the Queen’s Theatre starring Maureen Lipman.

wonderful town

Leonard Bernstein

Betty Comden & Adolph Green

Joseph A. Fields and Jerome Chodorov

the book by Ruth McKenney

Robert Fryer

George Abbott

Donald Saddler

Productions
Wonderful Town Original Broadway

Original Broadway Production

Winter Garden Theatre - Opened 25 Feb 1953, closed 3 Jul 1954, 559 performances

Cast: Nathaniel Frey, Edith Adams, Cris Alexander, Albert Linville, Delbert Anderson, George Gaynes, Jordan Bentley, Rosalind Russell, Dort Clark, Ray Dorian, Warren Guljour,Robert Kole,Lee Papell and Chris Robinson.

Wonderful Town Original London

Original London Production

The Prince's Theatre - Opened 25 Feb 1955, closed 1 Jan 1970, 207 performances

Wonderful Town Broadway Revival

Broadway Revival

Al Hirschfeld Theatre - Opened 23 Nov 2003, closed 23 Jan 2005, 497 performances

Cast: Donna Murphy, Laura Benanti, Brooke Shields.



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Synopsis

Twitter Synopsis:

Midwestern sisters head to the bright lights of the big apple in search of love and fortune but are greeted by prisons and nightclubs. 

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The show opens in summer 1935 in New York. A tour guide is taking a group of tourist around the city and introduces them to “Christopher Street” and the people who live there. Ruth and Eileen Sherwood arrive fresh from Ohio with dreams and aspirations of making a big life for themselves in the big city. Ruth is an aspiring writer and Eileen a budding actress. They move into a basement apartment with a lovable landlord Mr Appopolus. They soon become homesick for “Ohio”.

The pair have a go at “Conquering New York” but find disappointment on every corner. Eileen finds herself popular with the men of the city, which Ruth laments her ability to repel men, saying she may as well write a book called “One Hundred Easy Ways To Lose a Man”. Ruth bullies her way into a small office that deals with short story submissions and meets Bob Baker. He is negative towards her telling her “What A Waste” it was for her to come to the city. She leaves a selection of her work with him regardless, hoping that he will enjoy it later.

Eileen is “A Little Bit in Love” with Frank and invites him round to their apartment for dinner. Bob arrives looking for Ruth and he stays for dinner too. Their upstairs neighbour Wreck is an out of season American Football player and has to hide in their apartment as his live in lover’s mother is coming to town.

Eileen takes it upon herself to invite Frank, Bob and Chick Clark (a newspaper scribe) over for a potluck supper to help Ruth in her quest for a job. Both girls find themselves attracted to Bob and they struggle to all fill the awkward silences, (“Conversation Piece”). Bob discusses Ruth’s stories with her and he tells her to write from experience. This ends up with them saying the wrong thing and Ruth runs off in tears, leaving Bob to sing about his need to find “A Quiet Girl”. Ruth is set to cover a news story at the Brooklyn Navy Yard and teaches them to dance the “Conga”. They follow her home and Ruth yells at Bob before Eileen is arrested for causing a riot on Christopher Street.

In prison Eileen is talk of the town, as the Irish police officers are convinced she is one of them and sing “My Darlin Eileen” to her. Ruth visits her telling her that she will bail her out as soon as she can. She gets a new job as a promoter for a local nightclub ‘The Village Vortex’ and learns the rhythm of “Swing”.

Bob bails Eileen out and the sisters discover that their landlord is threatening to evict them due to the scandal caused by the Conga and one of his paintings going missing, that has been stolen by Wreck’s girlfriend Helen. The sisters learn that they are both attracted to Bob and they wish again that they had never left “Ohio”. Eileen’s infamy gets her a job singing at the Village Vortex nightclub, and they get to keep their apartment and have some money coming in. Bob quits his job and realises that “It’s Love” that he feels for Ruth.

Over at the Vortex the mood shifts to “Ballet at the Village Vortex” and Eileen has stage fright , convincing Ruth to sing the “Wrong Note Rag” with her onstage. Chick arrives and tells Ruth that his boss enjoyed her story on the Brazilian sailors and has given her a job with the paper. Bob decides to tell Ruth exactly how he feels as the curtain falls.

Songs

Act 1

  • Overture
  • Christopher Street—Tour Guide and The Villagers
  • Ohio–Ruth Sherwood and Eileen Sherwood
  • Conquering New York—Ruth, Eileen, First Cadet, Violet and The Villagers*
  • One Hundred Easy Ways—Ruth
  • What A Waste—Robert Baker and Associate Editors
  • A Little Bit in Love—Eileen
  • Pass the Football—Wreck and The Villagers
  • Conversation Piece—Ruth, Eileen, Frank Lippencott, Robert and Chick Clark*
  • A Quiet Girl—Robert
  • Conga—Ruth
Act II 
  • My Darlin’ Eileen—Eileen, Drunk and Policeman
  • Swing—Ruth and Villagers
  • Ohio (Reprise)–Ruth and Eileen
  • It’s Love—Robert and The Villagers
  • Ballet at the Village Vortex
  • Wrong Note Rag—Ruth, Eileen and The Villagers
  • It’s Love (Reprise)
Awards

1953 Tony Awards: Best Musical, Best Leading Actress, Best Choreographer, Best Musical Director, Best Scenic Design.

2004 Tony Awards: Best Choreographer (Kathleen Marshall)

Licensing

UK: Music Scope UK

USA: Tams-Witmark

 

 

 

 

 

 

West Side Story

West Side Story is one of the most famous musicals in the classical canon and is regularly performed all over the world. Based on Shakespeare’s Romeo and Juliet the musical boasts one of the most memorable scores ever written for the stage, with songs such as ‘Tonight’, ‘Maria’, ‘America’ and ‘I Feel Pretty’ written by Leonard Bernstein with lyrics by Stephen Sondheim. Although the original 1957 production didn’t run for long, the success of the film adaptation helped cement the show into the American culture. Relocating the story to 1950s New York where two rival gangs The Sharks and The Jets battle for turf, star crossed lovers Maria and Tony meet ending in tragic circumstances. Arthur Laurents’ book provides a timeless adaptation, twinned with Jerome Robbins’ phenomenal dance numbers that makes this an incredible show.

West Side Story

Leonard Bernstein

Stephen Sondheim

Arthur Laurents

'Romeo and Juliet' by William Shakespeare

Jerome Robbins

Jerome Robbins

Productions
West Side Story Winter Garden 1957

Original Broadway Production

Winter Garden - Opened 26 Sep 1957, closed 1 Jan 1970, 732 performances

Cast: Larry Kert as Tony, Carol Lawrence as Maria, Chita Rivera as Anita and David Winters as Baby John.

West Side Story Her Majesty's 1958

Original London Production

Her Majesty's Theatre - Opened 12 Dec 1958, closed 1 Jun 1961

Cast: George Chakiris as Riff, Marlys Watters as Maria, Don McKay as Tony, and Chita Rivera reprising her Broadway role as Anita

West Side Story Minskoff 1980

First Broadway Revival

Minskoff Theatre - Opened 14 Feb 1980, closed 30 Nov 1980

Cast:  Ken Marshall as Tony, Hector Jamie Mercado as Bernardo, Josie de Guzman as Maria, and Debbie Allen as Anita

West Side Story Palace 2010

Second Broadway Revival

Palace Theatre - Opened 23 Feb 2009, closed 2 Jan 2011

Cast: Matt Cavenaugh as Tony, Josefina Scaglione as Maria and Karen Olivo as Anita.

West Side Story Sadlers Wells 2008

West Side Story - London Revival 2008

Sadler's Wells - Opened 7 Aug 2013, closed 22 Sep 2013



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Synopsis

Twitter Synopsis:

Boy meets girl, boy’s gang hates girl’s gang, both sides rumble complete with aggressive ballet, judging siblings and quasi opera. 

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A danced Prologue sets up the turf warfare between the Sharks and the Jets in the upper west side of Manhattan. Riff, the leader of the Jets proclaims war, telling Bernardo, leader of the Sharks that they should watch their backs. Officer Krupke and Lieutenant Shrank warn both sides that they don’t want to see any more trouble. Riff attempts to convince Tony to rejoin the Jets, but he has moved on and is now working at Doc’s Drug Store waiting for something that he feels is just around the corner.

Bernardo’s sister Maria is preparing to attend her first dance with the help of Bernardo’s girlfriend Anita. She is excited at the prospect and is full of youthful optimism, and not so keen on her date Chino. At the Dance at the Gym both sides come to blows once more, but Tony and Maria meet across the floor, melting away into their own world. As they escape the gym, Tony sings ‘Maria’ and later goes to find her on her balcony where they fall instantly in love. Meanwhile the Sharks return from the dance and Anita and Rosalia sing of their differing opinions of ‘America’. At Doc’s store, the Jets keep ‘Cool’ and prepare to rumble with the Sharks. Tony visits Maria at the bridal shop where she works, and Anita grows suspicious of their relationship, warning Maria against causing trouble. The pair make a mock wedding ceremony and commit to ‘One Hand, One Heart’. Both gangs prepare to rumble under the highway, and as Riff and Bernardo fight, Riff is stabbed. Tony rushes in to break it up, and seeing his best friend lying dead, launches an attack on Bernardo and kills him.

Maria continues to walk on cloud nine, singing ‘I Feel Pretty’. She is interrupted by Chino, who tells her what has happened at the rumble. As Tony enters she is distraught and the pair wish to be taken to somewhere they can all be free. In a dream ballet sequence we see how they wish their lives to be, away from the fighting and the division. They spend the night together. Anita startles Maria, and Tony escapes just in time. Anita is furious, warning Maria about ‘A Boy Like That’, but Maria protests her love and convinces her that they should be together. Anita promises to help Maria and warns her that Chino has a gun and is looking to kill Tony. She goes to Doc’s drug-store to warn him, but is attacked by the Jet boys who attempt to rape her. She leaves angrily, telling Tony that Maria is already dead. Tony takes to the streets, and is shot by Chino. Maria makes it to him just in time and the pair reconcile. As he passes away Maria blames both sides, saying they were all responsible for his death, as the curtain silently falls.

Songs

Act I

  • Overture
  • Prologue
  • Jet Song
  • Something’s Coming
  • The Dance At The Gym (Part 1: Blues)
  • Part 2: Promenade/Mambo/Cha-Cha
  • Part 3: Meeting Scene
  • Part 4: Jump
  • Maria
  • Balcony Scene
  • America
  • Cool
  • Continuation of Scene
  • One Hand One Heart
  • Tonight
  • The Rumble

Act II 

  • I Feel Pretty
  • Ballet Sequence part 1 (Transition to Scherzo/scherzo/Somewhere)
  • Ballet conclusion (Procession and Nightmare)
  • Gee Officer Krupke
  • A Boy Like That/I Have A Love
  • Taunting Scene
  • Finale
Awards

1958 Tony Awards: Best Choreography (Jerome Robbins), Best Scenic Design (Oliver Smith)

1980 Drama Desk Award: Best Featured Actress (Debbie Allen)

2009 Grammy Award (Best Show Album)

2009 Tony Award: Best Featured Actress in a Musical (Karen Olivo)

Licensing

UK: Josef Weinberger

USA: Musical Theatre International

 

 

Thoroughly Modern Millie

Thoroughly Modern Millie

Jeanine Tesori

Dick Scanlan

Richard Morris and Dick Scanlan

Richard Morris’ Original Story and Screenplay

Michael Mayer

Rob Ashford

Productions
Thoroughly Modern Millie Broadway

Original Broadway Production

Marquis Theatre - Opened 18 Apr 2002, closed 20 Jun 2004, 903 performances

Cast: Sutton Foster (Millie), Marc Kudisch (Trevor), Angela Christian (Miss Dorothy), Gavin Creel (Jimmy), Harriet Sansom Harris (Mrs. Meers), Sheryl Lee Ralph (Muzzy Van Hossmere), Ken Leung (Ching Ho), Francis Jue (Bun Foo), Anne L. Nathan (Miss Flannery).

Thoroughly Modern Millie London

Original London Production

Shaftesbury Theatre - Opened 21 Oct 2003, closed 26 Jun 2004

Cast: Amanda Holden (who missed many performances) and Donna Steele (Millie), Maureen Lipman / Marti Webb / Anita Dobson (Mrs. Meers), Sheila Ferguson (Muzzy Van Hossmere).



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Synopsis

Millie Dillmount arrives in 1922 New York City from a little town in rural Kansas. She hated her humdrum life back home and, deciding she’ll have it all in New York, rips up her return ticket. She adopts a new look in the flapper style that’s all the rage and resolves to be a “Thoroughly Modern Millie.” However, minutes after her makeover, she is mugged on the street. In the ensuing chaos, she accidentally trips Jimmy Smith, who tells her she should just go home because there are all ready plenty of girls in New York who haven’t been successful. Millie decides she’s the exception to the rule, and finds a room at the Hotel Priscilla for Single Women.

The hotel is run by Mrs. Meers, who is secretly engaged in the white slavery trade by shipping orphan girls who stay at her hotel to China, a fate that befalls upon Millie’s hallmate, Ethel Peas. When Millie has not paid the rent after a week, Mrs. Meers confronts her and tells her she has just a few minutes to pack her things and go. Just at that moment, Millie meets Miss Dorothy, a wealthy Californian woman who wants to try living rough to see “How the Other Half Lives.” Millie suggests that she move in with her at the Hotel Priscilla, provided she can pay Millie’s rent, and Dorothy happily agrees. Mrs. Meers informs them that Dorothy can move into Ethel’s room and claims Ethel has taken an acting job in the Far East. Meanwhile, Ching Ho and Bun Foo are helping Mrs. Meers with the slavery ring in order to save enough money to have their mother sent over from Hong Kong for a better life.

Millie begins her job search by looking for company’s where the city’s most eligible bachelors live. She settles on Trevor Graydon III, who runs Sincere Trust, and manages to get a job as a secretary. Mrs. Meers sends Ching Ho to kidnap Dorothy by giving her a poisoned apple, but when Millie walks in, they are forced to abandon the plan. Ching Ho in the meantime has fallen in love with Dorothy at first sight and plans to rescue her. Millie announces to Dorothy that she has found a man to marry and they head to a speakeasy to celebrate, where they run into Jimmy. He slowly becomes enamoured by Millie’s charms (“What Do I Need With Love”).

Jimmy invites Millie to a fashionable party at the home of eccentric singer Muzzy van Hossmere, and Millie reflects the past few whirlwind days could happen “Only in New York.” At the party, she explains to Jimmy her plan to marry Trevor and reprimands him for his womanising ways. He suddenly kisses her before running off, leading her to realise she is actually in love with “Jimmy.” However, she returns to the hotel to find Jimmy apparently sneaking out of Dorothy’s room and vows never to speak to him again.

At work, Millie is still in love with Jimmy despite his actions, but her co-workers encourage her to “Forget About the Boy.” She plans to seduce Trevor until Dorothy arrives at work and immediately gets his attention. Trevor and Dorothy decide to go on a date, and Millie is devastated until Jimmy arrives and convinces her to give him another chance. When she begins to suspect Jimmy is poor, she has second thoughts and asks Muzzy’s opinion when they run into each other at a nightclub. Muzzy instructs her to always choose love over money, and Millie finally agrees.

Millie runs back to tell Jimmy how she feels, but they are interrupted by Trevor, who reveals that Dorothy stood him up for their date. He says he asked Mrs. Meers where she was and was told she had checked out of the hotel. Millie begins to find the number of people mysteriously “checking out” of the hotel suspicious, and they convince Muzzy to pose as an orphan to catch Mrs. Meers in the act. Sure enough, Mrs. Meers attempts the same scam, but this time she is caught by the police. Meanwhile, Ching Ho arrives after having saved Dorothy, and they are both in love.

Jimmy proposes to Millie, and she gladly accepts. He reveals he is actually an heir to a fortune and Dorothy’s brother. They had both gone into hiding to find people who would marry them for love, not money, and this was why he was sneaking out of her hotel room that night. Millie is thrilled that she has the fortune she dreamt of, as well as the love of her life.

Songs
Act I
  • Overture — Orchestra
  • Not for the Life of Me — Millie
  • Thoroughly Modern Millie — Millie and Ensemble (Lyrics by Sammy Cahn, Music byJimmy Van Heusen)
  • Not for the Life of Me (Tag) — Millie and the Hotel Girls
  • How the Other Half Lives — Millie and Miss Dorothy
  • How the Other Half Lives (reprise) – Millie and Miss Dorothy
  • Not for the Life of Me (Reprise) — Bun Foo and Ching Ho
  • The Speed Test — Trevor Graydon, Millie, Stenographers, Office Singers (music from the patter song ”My Eyes Are Fully Open” from Gilbert and Sullivan’sRuddigore)
  • They Don’t Know — Mrs. Meers
  • The Nuttycracker Suite (derived from music by Pyotr Ilyich Tchaikovsky)
  • What Do I Need with Love? – Jimmy
  • Only in New York — Muzzy
  • Jimmy — Millie (Lyrics by Jay Thompson (and Scanlan), Music by Thompson (and Tesori))
Act II
  • Entr’acte — Orchestra
  • Forget About the Boy — Millie, Miss Flannery, Women Office Singers, Stenographers
  • Ah! Sweet Mystery of Life/Falling in Love with Someone — Trevor Graydon and Miss Dorothy (Lyrics by Rida Johnson Young, Music by Victor Herbert from Naughty Marietta)
  • I Turned the Corner/Falling in Love with Someone (Reprise) — Millie, Jimmy, Miss Dorothy, Trevor Graydon (“I’m Falling in Love with Someone” from Victor Herbert’s Naughty Marrietta)
  • Muqin — Mrs. Meers, Bun Foo, Ching Ho (Lyrics by Sam M. Lewis, Joe Young,Walter Donaldson and Scanlan, Music by Donaldson)
  • Long as I’m Here with You — Muzzy and Muzzy’s Boys (Incorporates “Not For the Life of Me”)
  • Gimme Gimme — Millie
  • The Speed Test (Reprise) — Millie, Trevor Greydon, Jimmy
  • Ah! Sweet Mystery (Reprise) — Miss Dorothy and Ching Ho
  • Thoroughly Modern Millie (Reprise) — Company
Awards

2002 Tony Awards: Best Musical, Best Featured Actress (Harris), Best Actress (Foster), Best Choreography, Best Orchestrations, Best Costume Design.

2002 Drama Desk: Outstanding Musical, Outstanding Actress in a Musical (Foster), Outstanding Director, Outstanding Featured Actress, Outstanding Orchestrations.

Licensing

UK: Josef Weinberger

USA: Musical Theatre International

 

 

The Wizard of Oz

The Wizard of Oz is one of the most popular movie-musicals ever made by MGM. Based on the book by L Frank Baum the show follows young Dorothy Gale and her dog Toto as they are swept away ‘over the rainbow’ to the magical world of Oz. Aided by a talking Scarecrow, Tin Man and Lion, Dorothy battles the Wicked Witch of the West in order to get home, whilst keeping hold of her Ruby Slippers. Numerous productions worldwide have failed to prove as successful as the film, although the RSC version is fondly remembered. In 2010 Andrew Lloyd Webber produced a new version of the show at the London Palladium complete with updated score, book and lyrics by Tim Rice. Companies worldwide continue to present various versions of the show in musical or pantomime format.

The Wizard of Oz Playbill Cover

Harold Arlen

E.Y. Harburg

John Kane

the book by L. Frank Baum and the 1939 film

Tim Hawkens

Robert Johanson

Larry Wilcox

Productions
The Wizard of Oz RSC

The Wizard of Oz - Original London Production

RSC Barbican - Opened 14 Feb 1987, closed 14 Feb 1988

Cast: Imelda Staunton, Bille Brown, Dilys Laye , Joyce Grant, Trevor Peacock, Sebastian Shaw

The Wizard of Oz California

The Wizard of Oz - Original USA Production

Long Beach California - Opened 14 Jul 1988, closed 31 Jul 1988

The Wizard of Oz London Revival

The Wizard of Oz - London Revival

The London Palladium - Opened 1 Mar 2011, closed 2 Sep 2012

Cast: Michael Crawford, Danielle Hope, Sophie Evans, Paul Keating, Edward Baker-Duly, David Ganly, Hannah Waddingham, Emily Tierney.



What was your favourite production? Add your thoughts in the comments box

Synopsis

Dorothy Gale lives on a simple farm in Kansas with her Uncle Henry, Aunt Em, and dog, Toto, but dreams of a land somewhere “Over the Rainbow.” When Toto bites their mean neighbour Miss Gulch, Uncle Henry and Aunt Em agree to give the dog away to Miss Gulch. Dorothy is heartbroken, but Toto manages to escape and find his way back to her. Dorothy decides they should run away, and they come across the mysterious Professor Marvel, who manages to convince her that she should return home to her family.

On their way back home, a tornado strikes suddenly. When Dorothy finds she is locked out of the storm cellar, she runs into the house where she bumps her head and is knocked unconscious. The house is lifted high up into the air by the tornado, but remains intact. When she wakes up, Dorothy finds herself in a magical land unlike anything she has seen before.

Glinda the Good Witch arrives, and explains to Dorothy that she has landed in the Land of Oz. Glinda introduces Dorothy to the natives, known as Munchkins, who are thrilled that Dorothy’s house has landed on the Wicked Witch of the East who has held them captive (“Ding-Dong! The Witch is Dead”). As a reward, Glinda bestows the witch’s ruby slippers on Dorothy, but the Wicked Witch of the West arrives and tries to claim the magical shoes. When she is unable to remove them from Dorothy’s feet because of Glinda’s spell, she vows to find a way to retrieve them and disappears.

Glinda encourages Dorothy to visit the wonderful Wizard of Oz, as only he will have the power to send her home. Dorothy and Toto must “Follow the Yellow Brick Road” to the Emerald City to see the Wizard. On the way, she meets a Scarecrow who is missing a brain (“If I Only Had a Brain”), a Tin Man who lacks a heart (“If I Only Had a Heart”), and a Cowardly Lion (“If I Only Had the Nerve”). They join Dorothy to ask the Wizard to grant their own wishes.

The Wicked Witch tries to thwart their journey by creating a field of poison poppies that will make them fall asleep, but Glinda covers the field with snow, ruining the Witch’s spell. The group finally arrives at the Emerald City, where everything is a vibrant shade of green (“The Merry Old Land of Oz”). They are brought to see the Wizard, whose terrifying bellow sends the Cowardly Lion running. He refuses to grant any of their requests until they kill the Wicked Witch of the West.

Dorothy and her friends set off to find the Wicked Witch, and on the way they pass through the Haunted Forest. They are forced to dance themselves into a state of exhaustion by “The Jitterbug,” before the Witch sends her Winged Monkeys to capture Dorothy and Toto. The Witch again tries to remove Dorothy’s shoes, but is unsuccessful. Toto manages to escape and leads the Scarecrow, Tin Man, and Lion to Dorothy, but the Witch has them surrounded. When the Witch lights the Scarecrow on fire, Dorothy throws a bucket of water to put it out and accidentally splashes the Witch who slowly melts until she disappears.

The group returns to the Wizard in the expectation that he will grant their wishes, but find he is once again reluctant. Toto pulls aside a curtain, which reveals that the Wizard is just a normal man. He admits that he is not a Wizard at all, but a magician from Omaha who landed in Oz when his hot-air balloon got loose from a state fair. He agrees to take Dorothy home in his balloon, but when it lifts off too early, Dorothy and Toto are left behind. Glinda returns to reveal that Dorothy had the power to go home all along, and she only needs to click her heels three times. After saying goodbye to her friends, Dorothy clicks her heels and wakes up in her own bed surrounded by her family.

 

Songs

Act I 

  • Overture
  • Over The Rainbow
  • Cyclone
  • Come Out, Come Out…
  • It Really Was No Miracle
  • We Thank You Very Sweetly
  • Ding-Dong! The Witch Is Dead
  • As Mayor Of The Munchkin City
  • As Coroner, I Must Aver
  • Ding-Dong! The Witch Is Dead (Reprise)
  • Lullaby League, The
  • Lollipop Guild, The
  • We Welcome You To Munchkinland
  • Follow The Yellow Brick Road
  • You’re Off To See The Wizard
  • If I Only Had A Brain/heart/nerve
  • We’re Off To See The Wizard
  • Optimistic Voices
Act II 
  • Merry Old Land Of Oz, The
  • If I Were King Of The Forest
  • Jitterbug, The
  • Ding-Dong! Emerald City
  • Delirious Escape
  • Glinda
Songs Added to the London 2010 Production: 
(Music: Andrew Lloyd Webber, Lyrics: Tim Rice)
 
  • Nobody Understands Me
  • The Wonders of the World 
  • Red Shoes Blues 
  • Bring Me The Broomstick 
  • Already Home 
Licensing

UK: Music Scope UK

USA: Tams-Witmark

The Witches of Eastwick

Based on the cult film of the same name, along with the famous John Updike novel, The Witches of Eastwick is a witty musical by John Dempsey and Dana P. Rowe. The show opened in London at the Theatre Royal Drury Lane in 2000 and was produced by Cameron Mackintosh. The show follows the plot of the film quiet closely, as three women from a conservative American town conjure up the devil to help them with their various problems. As Daryl Van Horne begins to woo the inhabitants of Eastwick, the women begin to let themselves go and attract negative attention. Despite the fantastic score and witty book the London production was short lived, although a 2011 UK tour proved to be successful. The musical is also available for amateur companies who wish to take on the task of making the three women fly.

Witches of Eastwick

Dana P. Rowe

John Dempsey

John Dempsey

the novel by John Updike and The Warner Bros. motion picture

Cameron Mackintosh

Eric Schaeffer

Bob Avian & Stephen Mear

Productions
The Witches of Eastwick Original London

Original London Production

Theatre Royal Drury Lane - Opened 24 Jun 2000, closed 27 Oct 2001

Cast: Ian McShane as Daryll Van Horne, Lucie Arnaz as Alexandra Spofford, Joanna Riding as Jane Smart, Maria Friedman as Sukie Rougemont, Rosemary Ashe as Felicia Gabriel, Stephen Tate as Clyde Gabriel, Caroline Sheen as Jennifer Gabriel, Peter Jöback as Michael Spofford

The Witches of Eastwick Virginia Theatre

US Premiere

Signature Theatre Virginia - Opened 5 Jun 2007, closed 15 Jul 2007

The Witches of Eastwick UK Tour

UK Tour

Norwich Theatre Royal and others - Opened 23 Aug 2008, closed 9 May 2009



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Synopsis

In the fictional suburban town of Eastwick, Rhode Island, everyone knows everyone else’s business, particularly Felicia Gabriel, the town’s resident busybody and know-it-all combined (“Eastwick Knows”). She is about to receive an award when a sudden thunderstorm forces the day’s events to come to a close.

Alex, Jane, and Sukie are three witches who live in the town unsuspected and on this particular occasion are meeting in Alex’s house. Though they have each other, they are lonely and lack real relationships with men. It is revealed that Sukie is having an affair with Felicia’s husband Clyde. Alex’s son Michael arrives with his girlfriend Jennifer, who is also Felicia and Clyde’s daughter. They are very much in love, and the three witches are a bit jealous that they cannot have the same thing with a man (“Make Him Mine”).

Felicia and Clyde’s marriage is clearly at breaking point, but she refuses to let the cracks show to the town, preferring to pretend she has the perfect life.  She receives a call that a stranger from New York has moved into the Lennox mansion and is cutting down the trees. Always first to protest, she rallies up her Eastwick Preservation Society to confront the new owner, Darryl.  When they arrive, all but Felicia find him strangely charming, until their signs spontaneously burst into flames.

Darryl appears suddenly to each of the witches, managing to seduce them all. They finally realise what is happening when they are all invited to play tennis at his house. He makes a ball burst into flames and explains he is the man they have been looking for. He then teaches them how to place a curse on Felicia by throwing items into a cookie jar, each of which Felicia then vomits out in her kitchen. Darryl begins having an impact on the whole town when he makes it his mission to teach the men how to please their women (“Dance With the Devil”).

Alex, Sukie, and Jane arrive at Darryl’s for an orgy, but when he receives word the Eastwick Preservation Society is suing him, they vow revenge. They throw everything they can into the cookie jar, and Felicia, unable to cope any longer asks Clyde to take her out of her misery. He hits her with a frying plan and shouts he’s glad to be rid of her, just as she takes his tie and shoves it down the garbage disposal, killing them both.

The witches confront Darryl, saying he has taken things too far, and he becomes enraged, causing them to flee the house. Darryl comes across Jennifer and decides to seduce her, convincing her to marry him. The witches decide they must rid the town of him for good. Just before the wedding, they arrive with a voodoo doll of Darryl and take their revenge, as Darryl is sent back to hell. Jennifer and Michael get back together, and the Alex, Jane, and Sukie decide to give up witchcraft for good (“Look at Me”).

 

Songs

ACT I

  • Overture
  • Eastwick Knows
  • While The Sun’s Still In The Sky
  • Make Him Mine
  • I Love A Little Town
  • Eye Of The Beholder
  • Waiting For The Music To Begin
  • What About The Egrets
  • Words, Words, Words
  • Dirty Laundry
  • I Wish I May

ACT II

  • Entr’acte
  • Another Night At Darryl’s
  • Something
  • Dance With The Devil
  • Evil
  • Dirty Laundry (reprise)
  • Loose Ends
  • I Love A Little Town (reprise)
  • Isn’t This What Every Woman Wants?
  • Who’s The Man?
  • The Wedding
  • Look At Me
  • Finale
Awards

2001 Oliver Awards

  • Best New Musical (nomination)
  • Best Actress in a Musical – Joanna Riding (nomination)
  • Best Supporting Actress in a Musical – Rosemary Ashe (nomination)
  • Best Lighting Design (nomination)
Licensing

UK: Josef Weinberger

 

The Sound of Music

Rodgers and Hammerstein’s most loved musical The Sound of Music has enchanted audiences all over the world. Since opening on Broadway in 1959 the show quickly became known for its recognisable score that features songs such as ‘My Favourite Things’, ‘Climb Every Mountain’, ‘Do Re Me’ and ‘The Lonely Goatherd’. The final show in the R&H cannon is perhaps their most successful, thanks in part to the 1965 film adaptation starring Julie Andrews that has been seen and enjoyed by generations all over the world. Based on ‘The Von Trapp Family’ the show tells the story of governess Maria who is sent to Captain Von Trapp’s family in Austria to look after his children during the rise of the Nazi party in Europe. The show holds records for the highest advance ticket sales in the West End when the 1981 revival opened starring Petula Clarke, and was similarly successful in 2006 at the London Palladium.

The Sound of Music

Richard Rodgers

Oscar Hammerstein II

Howard Lindsay & Russel Crouse

suggested by The Story Of Trapp Family Singers by Maria von Trapp

Richard Rodgers, Oscar Hammerstein II, Leland Hayward & Richard Halliday

Vincent J. Donehue

Joe Layton

Productions
The Sound of Music Lunt Fontanne 1959

Original Broadway Production

Lunt-Fontanne Theatre - Opened 16 Nov 1959, closed 15 Jun 1963, 1443 performances

Cast: Mary Martin, Theodore Bikel, Patricia Neway, Max Detweiler, Marion Marlowe, Brian Davies, Lauri Peters.

The Sound of Music Palace 1961

Original London Production

The Palace Theatre - Opened 18 May 1961, closed 1 Jan 1970, 2385 performances

Cast: Jean Bayless, Sonia Rees, Roger Dann, Constance Shacklock, Eunice Gaysor, Harold Kasket, Barbara Brown, Nicholas Bennett, Olive Gilbert.

The Sound of Music Apollo Victoria 1981

First London Revival

Apollo Victoria Theatre - Opened 1 Jan 1981, closed 1 Jan 1970

The Sound of Music Martin Beck 1998

Broadway Revival

Martin Beck Theatre - Opened 12 Mar 1998, closed 1 Jun 1999

Sound of Music Palladium 2006

Second London Revival

London Palladium - Opened 15 Nov 2006, closed 1 Feb 2009

Cast: Connie Fisher, Alexander Hanson, Lesley Garrett,

The Sound of Music Open Air 2013

The Sound of Music - Open Air Revival

Open Air Regent's Park - Opened 25 Jul 2013, closed 7 Sep 2013



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Synopsis

Twitter Synopsis:

A cold Captain enlists the help of a fun novice to care for his 7 children who wins them over with goatherds and dresses made from curtains

Add your own Twitter style synopsis (140 characters only!) in the comments box


In Salzberg, Austria we are introduced to a convent where Maria Rayner is currently a novice. She is continually late for prayers and gets distracted on the hills. Many of the Nuns want her to leave the convent, but instead Mother Abbess sends her to a nearby Captain’s house who has requested a new governess for his seven children. Maria is initially alarmed at the prospect, but upon meeting the Von Trapp children is instantly charmed, despite their hostility. Captain Von Trapp is an extremely cold father and brings the children up alone. The children play a number of tricks on Maria, who begins to win them over through songs, dance and dresses made from curtains. The eldest daughter Lisel is secretly dating the delivery boy Rolf, and confides in Maria who offers advice. Von Trapp speaks of his concern at the growth of the Nazi party, but is told by his new girlfriend the Baroness that it is inevitable. The two become engaged.

Maria introduces song and laughter back into the children’s life, and gradually starts to change the Captain’s opinions on how their life should be. They begin to get closer and closer, and as the children perform at a party, Maria and Von Trapp dance together. Maria realises she has feelings for her employer, and runs back to seek solace at the convent. Mother Abbess convinces her to be secure in her work and ask for comfort in God, teaching her to ‘Climb Every Mountain’.

As the children prepare to sing on-stage they are upset without Maria in their lives. As she arrives back at their house, they are delighted to see her. The Captain is concerned at the Anschluss, but The Baroness Elsa tells him there is ‘No Way to Stop It’. She calls off the engagement, allowing Von Trapp to realise his true feelings for Maria, and the two are wed.

Pressure grows on the Captain to join the Nazi army and the family come up with a plan. During a singing competition they appear on stage together as ‘The Von Trapp Family Singers’, causing a diversion for them to escape into the Alps. They are aided by the Nuns who stalls the army, allowing them to escape and ‘Climb Evr’y Mountain’.

Songs

Act I

  • Preludium
  • Sound of Music, The
  • Maria
  • My Favorite Things
  • Do-Re-Mi
  • Sixteen Going On Seventeen
  • Lonely Goatherd, The
  • How Can Love Survive?
  • The Sound Of Music (reprise)
  • Grand Waltz (The Party)
  • Landler
  • So Long, Farewell
  • Climb Ev’ry Mountain

Act II

  • Entr’acte (Opening Act II)
  • My Favourite Things (reprise)
  • No Way To Stop It
  • An Ordinary Couple
  • Change Of Scene (Gaudeamus Domino)
  • Processional
  • Sixteen Going On Seventeen (reprise)
  • Do-Re-Mi (reprise)
  • Edelweiss
  • So, Long Farewell (The Concert)
  • Finale Ultimo: Climb Ev’ry Mountain

Movie

  • I Have Confidence (from the Movie)
  • Something Good (from the Movie)
Licensing

UK: Josef Weinberger

USA: R & H Theatricals

 

The Scottsboro Boys

The Scottsboro Boys was one of the last collaborations between John Kander and Fred Ebb before Ebb’s death. The musical features a book by David Thompson and is based on the Scottsboro Boys trial. The piece is set up like a minstrel show, in which the cast tell the story led by a white Interlocutor. The original Broadway production was directed by Susan Stroman and opened at the Lyceum Theatre in 2010, after various off-Broadway tryouts. The show was critically successful although closed early after only 49 regular performances. The show went on to be nominated for 12 Tony Awards, although failed to win in any category. The harrowing story of the black boys accused of raping two white women on a train is based on historical events, and was both emotional and harrowing. The musical has gone on to enjoy a life in regional theatres across America.

The Scottsboro Boys

John Kander

Fred Ebb

David Thompson

The trial of the Scottsboro boys

Barry & Fran Weissler, Jacki Barlia Florin, Janet Pailet/Sharon Carr/Patricia R. Klausner, Nederlander Presentations, Inc.

Susan Stroman

Susan Stroman

Productions

Original Broadway Production

Lyceum Theatre - Opened 31 Oct 2010, closed 12 Dec 2010, 49 performances

Cast: Joshua Henry, John Cullum, Josh Breckenridge, Derrick Cobey, Colman Domingo, Jeremy Gumbs, Rodney Hicks, Kendrick Jones, James T Lane, Forrest McClendon.



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Synopsis

A lady is waiting a bus stop and begins to remember what happened to the Scottsboro Boys. Minstrels arrive (“Minstrel March”), and the Interloculator arrives to narrate the story.

In 1931, nine African-American boys are waiting at a train station. One of them, Haywood Patterson is ready to set off on an adventure “Commencing in Chattanooga.” When a train stops at the platform, two girls who have run away from home jump off, trying to escape being sent back (“Alabama Ladies”). To distract their pursuers, the girls, Ruby Bates and Victoria Price, falsely accuse all nine boys of rape, and they are promptly arrested.

At trial, they are given “Nothin’” in the way of legal counsel and as a result, they are found guilty and sentenced to death. The youngest, Eugene is frightened of the “Electric Chair,” and all of the boys wish they could just “Go Back Home.” As they are about to be executed, the Supreme Court rules that the boys did not receive adequate legal counsel, and the verdict is overturned.

A year passes by before the next trial, during which Haywood teaches himself to write. By 1933, the trial has become a major news story in the North, where it is considered a severe case of injustice given the all-white jury. A New York lawyer, Samuel Leibowitz, arrives to defend the boys as their new trial begins. The alleged victim, Ruby Bates, decides it is “Never Too Late” to tell the truth and confirms that the boys are innocent, but the prosecution then accuses the defence of paying her for her testimony.

The boys anticipate gaining their freedom as they do not believe that they can be convicted yet again for a crime that has not occurred. They dream of heading to the North, but the Interloculator reminds them to remember the South will always be home (“Southern Days”). Shockingly, the boys are found guilty again and return to prison. As his mother lies dying, Haywood escapes but is quickly recaptured.

Leibowitz remains steadfast in his defence of the boys and continues to appeal, but the they are found guilty in each retrial. Victoria Price begins to feel remorse for their continued imprisonment (“Alabama Ladies – Reprise”). In 1937, the four youngest boys have been released, and Haywood is brought up for parole, which will be decided by the Alabama governor (“It’s Gonna Take Time”). Though some suggest he should just plead guilty to get out of jail, Haywood refuses to tell a lie and is returned to prison (“Zat So?/You Can’t Do Me”). He dies in prison two decades later.

The Interloculator encourages “The Scottsboro Boys” to perform a finale. As the song ends, the lady on the bench from the introduction is revealed to be Rosa Parks, as she boards a bus and refuses to move to the back for a white man to sit down.

Songs
  1. Minstrel March – Orchestra
  2. Hey, Hey, Hey, Hey! – Company
  3. Commencing in Chattanooga – Haywood and Scottsboro Boys
  4. Alabama Ladies – Victoria Price and Ruby Bates
  5. Nothin’ – Haywood
  6. Electric Chair – Guards, Eugene, Electrofied Charlie, and Electrofied Issac
  7. Go Back Home – Haywood, Eugene, and Scottsboro Boys
  8. Shout! – Scottsboro Boys
  9. Make Friends with the Truth – Haywood, Billy, and Scottsboro Boys
  10. That’s Not the Way We Do Things – Samuel Leibowitz
  11. Never Too Late – Ruby Bates and Scottsboro Boys
  12. Financial Advice – Attorney General
  13. Southern Days – Scottsboro Boys
  14. Alabama Ladies (Reprise) – Victoria Price
  15. It’s Gonna Take Time – Interlocutor
  16. Zat So – Governor of Alabama, Samuel Leibowitz, and Haywood
  17. You Can’t Do Me – Haywood
  18. The Scottsboro Boys – Scottsboro Boys
Awards

2011 Tony Award Nominations: Best Musical, Best Book, Best Score, Best Choreography, Best Direction, Best Orchestrations, Best Scenic Design, Best Lighting Design, Best Sound Design, Best Performance.

The Rocky Horror Show

The Rocky Horror Show achieved cult status after the impressive 1975 film adaptation which starred the writer Richard O’Brien. The show is one of Britain’s most popular musicals and has become a worldwide phenomenon thanks to the hilarious story and catchy score, which includes the songs ‘Over at the Frankenstein Place’, ‘Dammit Janet’, ‘Hot Patootie’ and of course ‘The Time Warp’. The musical began life in 1973 at the Royal Court Theatre in an intimate production that ran for a mere three weeks. The show is a parody of B movies and follows a newly engaged couple as they take shelter in a mad house owned by a transsexual scientist. The show gained huge commercial and critical success and went on to run for over 7 years at a variety of theatre venues across London.

Rocky Horror Show

Richard O’Brien

Richard O’Brien

Richard O’Brien

Royal Court Theatre

Productions
Rocky Horror Original London

Original London Production

The Royal Court Theatre - Opened 19 Jun 1973, closed 20 Jul 1973

Cast: Tim Curry, Patricia Quinn, Little Nell, Julie Covington and Richard O’Brien

Rocky Horror London Transfer

Original London Transfer

Classic Cinema King's Road - Opened 14 Aug 1973, closed 20 Oct 1973

Cast: Tim Curry, Patricia Quinn, Little Nell, Julie Covington and Richard O’Brien

Rocky Horror Comedy Theatre

London Revival

The Comedy Theatre - Opened 6 Apr 1979, closed 13 Sep 1980

Rocky Horror Broadway

Broadway Revival

Circle in the Square Theatre - Opened 1 Oct 2000, closed 1 Jan 2002



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Synopsis

Twitter Synopsis:

Two squares lost in the woods find shady transvestite who uses them for sex before making them endure a night of Transylvanian fun. 

Add your own Twitter style synopsis (140 characters only!) in the comments box


The show opens as an usherette invites us to see the latest picture show, (“Science Fiction”). We are introduced to squares Brad and Janet who are attending the wedding of a friend. They are inspired to get engaged themselves (“ Dammit Janet”) and decide to journey to meet their college Professor who kick started their relationship. As they set off through the woods the weather turns sour and their car breaks down. They can see a light in the distance and decide to walk towards it (“There’s a Light Over at the Frankenstein Place”). The narrator explains that the pair are scared about going to the castle but have to go as there is no other option. They meet Riff-Raff the door man and his sister Magenta and the group burst into “The Time Warp” scaring Brad and Janet who try to leave. Frank N Furter makes an entrance, a cross-dressing transsexual from Transylvania and gets the pair to go up to his lab where he has been making a man for pleasure “Sweet Transvestite”.

In the lab they are introduced to Frank’s creation – a blond half naked muscle man named Rocky who he brings to life, using half the brain of Columbia’s ex partner Eddie. Rocky considers his fate (“The Sword of Damocles”) before Frank worships his muscled body, (“Charles Atlas/I Can Make You a Man”). Eddie’s body comes out of a freezer to sing “Whatever Happened to Saturday Night?” before Frank kills him for good. Brad and Janet are then led to separate rooms for the evening.

The Narrator warns the audience that Brad and Janet may be in for a rough night. Janet accepts Brad’s sexual advances, before realising that in fact it is Frank. She continues regardless as he tells her not to let Brad know. Brad also gives into Frank’s advances thinking he is making love to Janet. Riff Raff interrupts saying Rocky has escaped and that he can be seen on the monitor. Janet runs into Rocky and seduces him (“Touch-a, Touch-a, Touch-a, Touch Me”) and the pair are caught having sex on the TV monitor. Brad is dejected (“Once in a While”) and Frank is angry. They are unable to muse for long, as Riff Raff catches sight of someone else entering the castle. It is Dr Scott, the professor Brad and Janet were travelling to see. Frank is furious as he thinks they have brought a spy, but instead Dr Scott is searching for his nephew Eddie, (“Eddie’s Teddy”). Frank traps everyone to the floor (“Planet Schmanet Janet”) and reveals that they are all aliens who gave up their mission and focused on practising kinky sex on earthlings. Magenta asks to leave, but Frank insists they put on a “Floor Show”. They perform for the group and engage in orgiastic sex.

Riff Raff stuns everyone and sets off the spaceship to take them all back to their home planet. Brad, Janet and Dr Scott are left confused (“Super Heroes”) and the narrator discusses the night’s events as the Usherette reprises “Science Fiction”.

Songs

Act I

  • Science Fiction/Double Feature
  • Dammit, Janet
  • Over At The Frankenstein Place
  • Time Warp, The
  • Sweet Transvestite
  • Sword Of Damocles, The
  • I Can Make You A Man
  • Hot Patootie – Bless My Soul
  • I Can Make You A Man (Reprise)
Act II 
  • Once In A While
  • Touch-A, Touch-A, Touch-A, Touch Me
  • Eddie
  • Planet, Schmanet, Janet
  • Floor Show
  • Fanfare / Don’t Dream It
  • Wild And Untamed Thing
  • I’m Going Home
  • Super Heroes
  • Rocky Climbs the RKO Tower
  • Science Fiction
  • Science Fiction/Double Feature Reprise
Awards

1973 Evening Standard Award: Best Musical

Licensing

UK: Samuel French

USA: Samuel French

 

 

The Producers

Mel Brooks’ musical The Producers was one of the biggest shows of the past decade. Based on his original film, the musical version won an impressive 12 Tony Awards including Best Musical and was the hottest ticket on Broadway for over 6 years. Nathan Lane and Matthew Broderick led the original cast and returned to their roles throughout the run which boosted ticket sales. The show is distinctly low comedy and follows two Broadway producers who plan to make money by deliberately overselling investments in a Broadway flop musical. The show enjoyed a successful West End transfer, as well as various national tours, and was remade into a musical film in 2005. The show holds the record for the highest grossing day of sales, selling over $3.5million worth of tickets in 2003.

The Producers

Mel Brooks

Mel Brooks

Mel Brooks & Tom Meehan

the classic 1967 Mel Brooks film

Susan Stroman

Susan Stroman

Productions
The Producers Original Broadway

The Producers - Original Broadway

St James Theatre - Opened 19 Apr 2001, closed 22 Apr 2007, 2502 performances

Cast: Nathan Lane, Matthew Broderick

The Producers Original London

The Producers - Original London

Theatre Royal Drury Lane - Opened 9 Nov 2004, closed 6 Jan 2007, 902 performances

Cast: Nathan Lane, Lee Evans, Conleith Hill, James Dreyfus



What was your favourite production? Add your thoughts in the comments box

Synopsis

In 1959 New York City, Max Bialystock is celebrating the “Opening Night” of Funny Boy, a musical version of Hamlet. It is so atrocious that it closes after only one night. Max reflects on his former reputation as the “King of Broadway” and hopes to find a project that will equal his previous successes.

His mild-mannered accountant, Leo Bloom, arrives the next day to audit the Funny Boy accounts. A little old lady who is one of Max’s investors arrives, prompting Max to hide Leo in the bathroom. It turns out Max has been seducing sex-deprived elderly women to finance his productions. After the woman leaves, Leo reveals that there is a discrepancy in Max’s accounts as he raised $2000 more than he spent on the show.

After convincing Leo to write off this discrepancy, Max realises that a producer could make even more money on a flop than a hit by raising way more money than needed and having the production close early. He comes up with a scam to raise $2 million and then find the worst show, director, and cast possible, open the show, close after one night, and then jet off to Rio with the leftover money (“We Can Do It”). Leo is morally opposed to the project and declines.

Leo heads to work the next day to the endless harassment of his tyrannical boss, Mr. Marks. At his desk, he dreams of one day becoming a producer on Broadway (“I Wanna Be a Producer”). He decides to quit his job and go for Max’s scheme. They set off to find the worst play ever-written and find it in Springtime for Hitler, a musical romp that positively views Hilter and the rise of the Third Reich. They seek out the playwright, Franz Liebkind, who is an ex-Nazi living in Greenwich Village, reminiscing about the good times “In Old Bavaria.” They convince Franz to sign the contract and next try to find the worst director in town.
Max knows just the man for the job and they visit the eccentric homosexual Roger De Bris, who at first turns down the project as being too serious, urging Max and Leo to “Keep It Gay.” After Max mentions the Tony-winning potential, Roger agrees to take it on, but only if the ending is rewritten so the Germans win World War II. Max and Leo return to the office to find a blonde Swedish bombshell named Ulla who wants to audition for their next production (“When You’ve Got It, Flaunt It”). They immediately hire her as their secretary, as Max heads off to seduce his legion of old ladies to raise the money (“Along Came Bialy”).

Meanwhile, Ulla and Leo have begun to fall in love (“That Face”), while Max only lusts after Ulla. At auditions, Roger rejects every actor that comes by, until Franz auditions for his own show and is summarily hired to play Hitler. Opening night rolls around again, but Franz suddenly falls and breaks his leg. As Roger is the only other person who knows the role, he goes on in the premiere of “Springtime for Hitler.” However, due to his over-the-top camp performance, the audience believes the play is meant to be a satire and are roaring in the aisles. The play is a huge success and becomes the biggest show on Broadway, much to Leo and Max’s distress.

Max and Leo flee to their office, wondering how the got into this situation (“Where Did We Go Right?”). Franz arrives to confront them for corrupting his play, threatening Max with a pistol. The police turn up and arrest Franz and Max, and confiscate all of the accounting books. Leo and Ulla manage to escape and plan to head to Rio together with the two million dollars.

At trial, Max is understandably found guilty of fraud, but at the last moment Leo and Ulla arrive to testify on his behalf. The judge is moved and decides it would be unfair to separate Leo and Max, so he sends them both to prison for five years. While in jail, they write a new musical called “Prisoners of Love,” which stars Ulla and becomes a major hit. “Leo and Max” solidify their reputations as the biggest producers on Broadway.

Songs

Act I

  • Springtime for Hitler
  • Opening Night
  • The King of Broadway
  • We Can Do It
  • Unhappy
  • I Wanna Be a Producer
  • In Old Bavaria
  • Der Guten Tag Hop-Clop
  • Keep It Gay
  • When You Got It, Flaunt It
  • Along Came Bialy
Act II
  • That Face
  • Haben Sie Gehort Das Deutsche Band
  • It’s Bad Luck to Say Good Luck on Op’ning Night
  • Where Did We Go Right?
  • Betrayed
  • Till Him
  • Prisoners of Love
  • Goodbye!
Awards

2001 Tony Awards: Best Musical, Best Book, Best Original Score, Best Leading Actor, Best Featured Actor, Best Featured Actress, Best Director, Best Choreography, Best Orchestrations, Best Scenic Design, Best Costume Design, Best Lighting Design.

2005 Olivier Awards: Best New Musical, Best Actor (Lane), Best Supporting Performance.

Licensing

UK: Josef Weinberger

USA: Musical Theatre International