South Pacific

South Pacific is a Rodgers and Hammerstein musical from 1949. The book was written by Joshua Logan, adapted from James Michener’s novel Tales of the South Pacific and is set in a US Naval base during the final part of World War II in the South Pacific islands. The musical is well known for its score of show standards, ranging from the powerful ‘Some Enchanted Evening’ to the whimsical ‘Wash That Man Right Outta My Hair’. The show has been revived on both Broadway and the West End, with successful recent productions touring both the US and UK.

South Pacific

Richard Rodgers

Oscar Hammerstein II

Oscar Hammerstein II and Joshua Logan

the Pulitzer Prize winning novel Tales of the South Pacific by James Michener

Richard Rodgers, Oscar Hammerstein II, Leland Hayward & Joshua Logan

Joshua Logan

Productions
South Pacific Majestic 1957

Original Broadway Production

Majestic Theatre - Opened 7 Apr 1949, closed 16 Jan 1954, 1925 performances

Cast: Mary Martin, Ezio Pinaza,  Juanita Hall and Myron McCormick, Martin Wolfson and Betta St. John.

South Pacific Drury Lane 1951

Original London Production

Theatre Royal Drury Lane - Opened 1 Nov 1951, closed 1 Jan 1953

Cast: Mary Martin, Wilbur Evans, Ray Walston (Luther), Muriel Smith (Bloody Mary), Peter Grant (Joe Cable) and Ivor Emmanuel.

South Pacific Prince of Wales 1988

First London Revival

Prince of Wales Theatre - Opened 20 Jan 1988, closed 14 Jan 1989

South Pacific National 1991

Second London Revival

National Theatre - Opened 1 Dec 2001, closed 1 Apr 2002

Cast: Phillip Quast, Lauren Kennedy

South Pacific Lincoln Center 2008

Broadway Revival

Vivian Beaumont Theatre - Opened 3 Apr 2008, closed 22 Aug 2010, 996 performances

Cast: Kelli O’Hara (Nellie), Paulo Szot (Emile), Matthew Morrison (Lt. Cable), Danny Burstein (Billis), Loretta Ables Sayre (Mary).

South Pacific Barbican 2011

Third London Revival

Barbican Theatre - Opened 15 Aug 2011, closed 1 Oct 2011



What was your favourite production? Add your thoughts in the comments box

Synopsis

During World War II, an American Navy nurse named Nellie Forbush arrives on an island in the South Pacific, where she quickly falls in love with Emile de Becque, a dashing French plantation owner. While everyone else is concerned with the war around them, Nellie assures Emile that as a “Cockeyed Optimist,” she knows everything will turn out well in the end. They express their love for each other (“Some Enchanted Evening”) before she heads back to the hospital.

The navy men are growing restless, as the women on the island are all commissioned nurses and thus off limits to them. The only female civilian is “Bloody Mary,” a flirtatious middle-aged Tonkinese woman who sells grass skirts and other novelties. Luther Billis and the other men hope she will one day take them to the legendary island Bali Ha’i, which is allegedly full of women, as they all agree “There is Nothing Like a Dame.”

Marine Lieutenant Joseph Cable arrives on the island to carry out a military mission. Bloody Mary convinces him that “Bali Ha’i” will be important to him, and he agrees to go along with Billis and some other friends. He has heard of Emile and feels his knowledge of the area would be useful on their next mission and asks Nellie to find out more about his character, as he has heard unsavoury rumours about him, including that he killed a man in France.

Nellie is furious at the allegations and decides she is done with Emile (“I’m Gonna Wash That Man Right Outa My Hair”). However, he soon arrives and manages to persuade her to join him for a party where he will introduce her to his friends. At the party, he reveals that he killed a man in self-defence and a relieved Nellie accepts his marriage proposal (“I’m in Love With a Wonderful Guy”).

Cable asks Emile to join his mission, but Emile is eager to start his new life with Nellie and refuses. Cable and Billis head to the island of Bali Ha’i, where Bloody Mary introduces Cable to her daughter Liat, knowing that her only chance of a better life is marrying an American soldier. Cable and Liat instantly fall in love (“Younger Than Springtime”). Meanwhile, Emile introduces Nellie to Jerome and Ngana, who he reveals are his children with a Tonkinese woman who has since died. Nellie likes the children but cannot bring herself to be mother to children who are not white and leaves Emile dumbfounded.

Bloody Mary encourages Cable and Liat’s blossoming romance (“Happy Talk”), and advises they get marries. Cable reveals he could never marry a woman who is not white because of his family’s prejudice, and Bloody Mary furiously tears her away. Later, Emile confronts Cable about his and Nellie’s racist views, and Cable explains that this is the way American society has raised them (“You’ve Got to Be Carefully Taught”).

Emile laments losing Nellie and wonders what might have been (“This Could Have Been Mine”). He decides to join Cable on the dangerous mission, as he has nothing to lose. Though the mission is successful, Cable is killed and Emile is now missing. When Nellie finds out the news, she is forced to tell Liat her love is dead. The rest of the soldiers head off to battle, but Nellie decides to stay behind and look after Emile’s children, soon growing to love them. As they sing “Dites-Moi” together, they hear Emile’s voice join them, and Nellie assures him she has given up her prejudice and wants to be with him for good.

Songs

Act I

  • Overture
  • Dites-Moi
  • Cockeyed Optimist, A
  • Twin Soliloquies
  • Some Enchanted Evening
  • Bloody Mary
  • There Is Nothin’ Like A Dame
  • Bali Ha’i
  • I’m Gonna Wash That Man Right Outta My Hair
  • Wonderful Guy, A
  • Younger Than Springtime

Act II

  • Happy Talk
  • Honey Bun
  • You’ve Got To Be Carefully Taught
  • This Nearly Was Mine
  • My Girl Back Home
  • Finale
Awards

1949 Tony Awards: Best Musical, Best Male Performer (Pinza), Best Female Performer (Martin), Best Supporting Male Performer (McCormick), Best Supporting Female Performer (Hall), Best Director (Logan), Best Book and Best Score.

1950 Pulitzer Prize for Drama

Licensing

UK: Josef Weinberger

USA: R & H Theatricals

 

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