|
Sweet Charity
Book by Neil Simon
Based on the film Nights Of Cabiria
Lyrics by Dorothy Fields
Music by Cy Coleman
Produced by Robert Fryer, Lawrence Carr, Sylvia Harris
& Joseph Harris
Directed by Bob Fosse
Choreography by Bob Fosse
Opened January 29, 1966 at the Palace Theatre and ran for
608 performances
Movie 1969
Synopsis
SWEET CHARITY is a tender, poignant and consistently funny look at
the adventures, or rather the misadventures, in the ways of love
encountered by the gullible and guileless lady known as Charity Agnes
Valentine. Charity is a dance hostess who always gives her heart and
her dreams to the wrong man.
We meet Charity when she is involved
with a married man, whom she hopes will be her fiancé just as soon as
he divorces his wife. She meets him in the park where she sings of her
fondness of him -You Should See Yourself, but he does not
reciprocate her kind sentiments with any sweet talk. She fantasizes
about the wonderful life they will share when they are married, and
even plans to buy furniture for their future home. When she
romantically suggests her love throw something into the beautiful lake
for good luck, he catches her off guard. Instead of tossing in the
traditional coin and making a wish, he throws her in and steals her
purse which contains her life savings. Poor Charity is pulled out of
the lake by a passer-by, and reports her misfortune to the police.
Back at the Fan-Dango ballroom where she
works, Charity admits once again to her girlfriends that she let
another man take advantage of her. The night at the dance hall begins
with Big Spender and Charity suddenly runs out of the dance
hall; she vows to never fall for another man and let him get her hopes
up for a happy ending -Charity's Soliloquy.
Walking in the street Charity is caught
in the middle of a fight between Vittorio Vidal, the famous film star,
and his mistress Ursala. Charity lets Vidal take her into the lavish
Pompeii Club for the evening -Rich Man's Frug. Vidal talks of
Ursala the whole night and uses Charity as an escort. She calls her
girlfriends at the Fan-Dango ballroom, and has Vittorio talk to them
to prove she is out with the celebrity. In all of the excitement,
Charity faints. Vittorio brings her to his apartment, where she
recovers. She sings If My Friends Could See Me Now, and just as
Charity is about to make a move on Vittorio, they are interrupted by
Ursala. Charity ends up hiding from Ursala in a closet-like armoire
all night. She hears Vittorio sing Too Many Tomorrows to Ursala,
tries smoking a cigarette in the armoire, and finally peaks out from
her hiding place and just watches the couple. In the ultimate
insulting gesture, Vittorio brings Charity out of the closet the next
morning while Ursala is still there to see her leave.
Charity's girlfriends at the dance hall
are shocked that Charity did not receive a substantial monetary gift
from Vittorio. They all dream of a better life -There's Gotta Be
Something Better Than This. The same night Charity tries to meet
new people by going to the local YMCA. She gets stuck in an elevator
with a claustrophobic tax accountant named Oscar, and she sings I'm
The Bravest Individual to give him courage.
Oscar takes an interest in Charity, and
invites her to his Rhythm of Life Church. The Church evolved from a
jazz music group, and its congregants include people down on their
luck -The Rhythm of Life. Before the service starts, the police
break up the meeting. Charity and Oscar get to know each other more.
For some unknown reason to Charity, Oscar thinks she is a bank teller.
She likes this idea, so decides not to clarify what she really does
for a living. Charity falls for Oscar, and is soon fantasizing a nice
life with him -Baby, Dream Your Dream. She knows she must tell
Oscar what she really does for a living, but the right opportunity
never seems to come up. At Coney Island they get stuck for a second
time together, this time on the parachute jump. Oscar has a chance to
comfort his Sweet Charity this time.
Charity decides to quit her job at the
Fan-Dango -Where Am I Going? She finally gets the nerve up to
tell Oscar that she is a dance hall hostess, but can't look him in the
eye when she tells him the truth. She is surprised to find out that he
already knew the truth; he had followed her there one night and stayed
to watch. Oscar tells Charity that he can forget about her old job,
and he proposes to her. Charity celebrates with I'm A Brass Band.
Her boss and co-workers sing I Love To Cry At Weddings. Finally
Charity will live happily ever after! But Oscar breaks the engagement;
he tried but just can't forget that Charity had been a dance hall
hostess and had been with other men before they met. As they are
walking through the park, Charity trying to save the relationship,
Oscar trying to end it, Oscar makes his point by throwing Charity into
the lake. This particular lake is bad luck for Charity. As she pulls
herself out of the water, a Good Fairy appears and says to Charity,
"Tonight, it will all happen tonight." Charity is again
overcome by hope and optimism for finding her true love, until the
Good Fairy turns around. There is a sign on the Fairy's back which
reads "THE GOOD FAIRY - tonight at 8 p.m. on CBS."
Song List
ACT I
- Overture
- Opening (Sweet Charity Theme)
- You
Should See Yourself
- To The Lake (Instrumental)
- The Rescue (Instrumental)
- Scene Change #1
- Big Spender
- Big Spender (Vamp)
- Charity's Soliloquy
- Soliloquy Play-Off
- My Problem (Instrumental)
- Stroke Of Luck (Instrumental)
- Rich Man's Frug
- Who Is It (Instrumental)
- Words Of Love (Instrumental)
- Scene Change #2
- This Scene (Instrumental)
- If
My Friends Could See Me Now
- Too
Many Tomorrows
- If My Friends Could See Me Now (Reprise)
- Morning Music (Instrumental)
- Ciao, Baby (Instrumental)
- There's
Gotta Be Something Better Than This
- Big Decision (Instrumental)
- Elevator Sting #1 (Instrumental)
- I'm
The Bravest Individual
- First Act Curtain (Instrumental)
ACT II
- Entr'acte
- Elevator Sting #2 (Instrumental)
- Before Rhythm Of Life (Instrumental)
- Rhythm
Of Life, The
- Rhythm Of Life Sermon
- Rhythm Of Life Play-Off
- Subway (Instrumental)
- Baby
Dream Your Dream
- Scene Change #3 (Coney Island Waltz)
- Ascend (Instrumental)
- Sweet
Charity
- Big Spender (Reprise)
- Re-Vamp (Instrumental)
- Where Am
I Going?
- Scene Change #4 (Going Love)
- You Bet (Underscore)
- I'm A
Brass Band
- Cake Fanfare
- Coney Island Waltz
- I
Love To Cry At Weddings
- Plans (Instrumental)
- Finale
- Bows (If My Friends Could See Me Now)
- Exit Music
Info
Awards
Original Broadway
- Nominated for 12 Tony Awards (1966)
- Bob Fosse received a Tony Award for choreography (1966)
Broadway Revival
- Nominated for 4 Tony Awards (1986)
- Michael Rupert received a Tony Award for featured role in
a musical (1986)
- Bebe Neuwirth received a Tony Award for featured role in a
musical (1986)
- Patricia Zipprodt received a Tony Award for costumes
(1986)
Original London
- Evening Standard award for Best Musical
Movie
- Nominated for 3 Oscars and a Golden Globe (1970)
Related
Licensing Agent
Tams-Witmark
560 Lexington Avenue , New York , NY 10022
Tel. (212) 688-2525 , Fax. (212) 688-3232
|
|