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The Life
Book by Ira Gasman, Cy Coleman, and David
Newman
Music by Cy Coleman
Lyrics by Ira Gasman
Opened April 26, 1997 Ethel Barrymore Theatre,
(New York)
Synopsis
THE LIFE depicts the pulsating life on the Times Square streets in
the 1980's-where everything had a price, especially sex-the garish
topless bars, the transvestite joints, the hookers who worked the
sidewalks at the bidding of their pimps-Check It Out.
Jojo, an opportunistic, conniving white
hustler in the thick of the action, has a bareknuckled plan for
feeding his ambition-Use What You Got. But among these unsavory
characters there are appealing people who have been caught in the web
of these sordid surroundings. Sonja, a veteran hooker who has seen
better days, befriends Queen who is on the street because her man,
Fleetwood, a displaced Vietnam veteran, needs her support. She has
saved her money and on this day plans to get away with Fleetwood and
leave the life for good, enjoying, with Sonja, A Lovely Day to Get
Out of Jail.
Returning to her hotel room, Queen
discovers that Fleetwood has spent half of her savings to pay off his
drug debts and feed his habit-Oh, Daddy.
Fleetwood has an unrealistic dream of
attaining power, money and A Piece of the Action. Jojo tells
him he'll never amount to anything as a pimp as long as he's
romantically involved with the woman he's selling. Jojo takes him to
the Port Authority where they find Mary, just off the bus from
Minnesota, a girl with the mien of an angel but, as we eventually find
out, she's no angel. Jojo grabs at her suitcase so that Fleetwood can
rescue it and become her hero.
The demi-monde hangs out at a bar owned
by Lacy, who has seen it all but has certain affection for his
clientele. In the company of her sister whores, Sonja bemoans the wear
and tear of her life-The Oldest Profession. When Fleetwood and
Mary arrive, Memphis, the "biggest businessman on the block"
comments on the professionalism of his trade and soon zeroes in on the
newcomer-Don't Take Much.
Reluctantly, Queen takes Mary to the
room she shares with Fleetwood and tries to persuade her to Go
Home. Later, as prostitutes eye potential customers, a gospel
group parades by -You Can't Get to Heaven. The girls defiantly
stand up for themselves -My Body, while the pimps complain
about the harassment of the cops -Why Don't They Leave Us Alone?
Jojo cajoles Mary into taking a turn as
a go-go dancer. A smashing success, she celebrates her good fortune in
Easy Money with Fleetwood and Jojo, who has her in mind for his
"mentor" Lou, a gaudy Los Angeles producer of "motion
pictures" of the triple X genre, who's looking for fresh corn-fed
talent.
Once again in jail, Queen reflects on
her attachment to Fleetwood-He's No Good; while, enticed by
Mary, Jojo and Fleetwood spend the night with her in a threesome. As
Fleetwood turns his attentions toward Mary, Memphis makes his move to
put "Queen in his deck." Queen discovers what's been going
on between Fleetwood and Mary, and decides she's finally had enough -I'm
Leaving You. As everyone parties at The Hookers' Ball, Lou makes
off with Mary, while Queen, shunning Fleetwood, attaches herself to
Memphis.
Over a game of Three-Card Monte, Jojo
and the pimps discuss their "silent partner," Mr. Greed.
In Memphis' spacious apartment, Queen thanks him for getting her out
of jail and for the beautiful dress he gave her to wear to the
Hookers' Ball; but Memphis makes it very clear that the dress was a
$6,000 loan that she must repay with her earnings -My Way or the
Highway. He warns Queen that she better not leave town "cause
you'll be coming back real soon for a funeral - Fleetwood's; followed
shortly by your own."
Queen tells Sonja that she must find
Fleetwood and warn him about Memphis' threat. She asks Jojo to tell
Fleetwood to meet her the next morning at Lacy's. Meanwhile Mary, with
Lou, toasts her acceptance of his offer of a movie career -People
Magazine.
The next morning Jojo double crosses
Queen and comes to Lacy's with Memphis, who brutally flogs the
terrified woman. When Fleetwood arrives, Queen reminds him of what
they once had together-We Had a Dream. When Fleetwood returns
to his hotel, he finds Mary leaving for Los Angeles.
Near the Lincoln Tunnel, Memphis'
henchman, Snickers, pushes Queen to get "plenty of action
tonight. Memphis is dependin' on it." She, Sonja and other girls
share their hopes for the future -"Someday" Is for
Suckers.
Later, near the Hudson River in a spot
once special to Queen and Fleetwood, Sonja hands Queen a bus ticket
and a suitcase in a desperate attempt to get her away from Memphis.
Fleetwood unexpectedly appears and tries to talk Queen into making a
new start -We Gotta Go, but Queen bitterly rejects him. Jojo
guides Memphis onto the scene. Fleetwood pulls a gun on Memphis, but
Jojo knocks the gun loose as Memphis mortally stabs Fleetwood; Queen
seizes the fallen gun and shoots Memphis. Sonja decides to take the
rap for killing Memphis, claiming self defense; she and Queen say
good-bye-My Friend, then Queen departs for the bus, which will
carry her to freedom, as Sonja surrenders to the police.
Song List
ACT I
- Check It Out!
- Use What You Got
- A Lovely Day To Be Out Of Jail
- A Piece Of The Action
- The Oldest Profession
- Don't Take Much
- Go Home
- You Can't Get To Heaven
- My Body
- Why Don't They Leave Us Alone
- Easy Money
- He's No Good
- Was That A Smile
- I'm Leaving You
- The Hooker's Ball
ACT II
- Step Right Up
- Mr Greed
- My Way Or The Highway
- People Magazine
- We Had A Dream
- Use What You Got (Reprise)
- Someday' Is For Suckers
- My Friend
- We Gotta Go
- Check It Out! (Reprise)
Info
Original Cast Included: Sam Harris,Vernel Bagneris,Lillias
White, Kevin Ramsey, Rudy Roberson, Bellamy Young, Mark Bove,
Chuck Cooper, Felicia Finley,Michael Gregory Gong,Katy
Grenfell,Rich Hebert, Pamela Isaacs, Judine Richárd, Lynn
Sterling,Mark Anthony Taylor, Gordon Joseph Weiss, Sharon
Wilkins
Related
Licensing Agent
Tams-Witmark
560 Lexington Avenue , New York , NY 10022
Tel. (212) 688-2525 , Fax. (212) 688-3232
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